The Prose Edda: Tales from Norse Mythology

Передня обкладинка
Courier Corporation, 21 лип. 2006 р. - 266 стор.
Gods and giants bestride these ancient tales, in which warrior queens and noble heroes battle with elves, dwarves, and fearsome monsters. Spanning the dawn of the world's creation to its fiery destruction, these gripping Norse legends chronicle the triumphs and tragedies of a lost era. Resounding with a poetic instinct for the picturesque, the dramatic, and the human, they form vivid portraits of the characters' personalities. They also depict the comic and disastrous results of ambition, passion, and destiny.
The wellspring of modern knowledge of Norse mythology, these sagas preserved the Vikings' narrative style from an invading European influence. Iceland's great literary genius, Snorri Sturluson (1179–1241), combined oral traditions, genealogical records, and old songs to immortalize his country's glorious past. Edda means "poetic art," and Sturluson's guidebook for Icelandic poets has been a timeless inspiration for generations of writers around the world, including Wagner, Borges, and Tolkien.

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Snorri Sturluson's fame as a historian---his main work is the 16 sagas included in Heimskringla (c.1230), a monumental history of Norway from its beginning until 1177---lies both in his critical approach to sources and in his fine, realistic exposition of event and motivation. A similar combination of scholarly and imaginative talent is seen in The Prose Edda (c.1220). Intended to be a handbook in skaldic poetry, it preserves invaluable mythological tales that were on the verge of being forgotten even in Sturluson's time. A large part of what we know about Nordic mythology stems from his Edda. The bibliography that follows also lists the anonymous Egil's Saga (1200--30), which many expert Scandinavian medievalists (e.g., Sigurdur Nordal and Bjorn M. Olsen) attribute to Sturluson. It is a fascinating account of life in Norway, England, and Iceland and of the poet-warrior Egil, whose skaldic verse is renowned for its unusual emotional and personal qualities. Snorri Sturluson's own life was as eventful as those about whom he wrote. Returning to Iceland from exile in 1239, he again became deeply involved in serious power struggles and was murdered in 1241.

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