Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 стор. |
З цієї книги
Результати 1-3 із 31
Сторінка 129
... show that appropriation did not cease with the coverings of the feet " ( 36 ) . The text accompanying the image said ... shows clearly that the corpses of " our own men " ( 37 ) have no shoes and empty pockets . ( And those who strip the ...
... show that appropriation did not cease with the coverings of the feet " ( 36 ) . The text accompanying the image said ... shows clearly that the corpses of " our own men " ( 37 ) have no shoes and empty pockets . ( And those who strip the ...
Сторінка 159
... show images of slavery rather than the images of confrontations between whites and native Americans that we see in the emblems of Mississippi and Georgia : mounted white overseers direct the labor of blacks who are sorting cotton ...
... show images of slavery rather than the images of confrontations between whites and native Americans that we see in the emblems of Mississippi and Georgia : mounted white overseers direct the labor of blacks who are sorting cotton ...
Сторінка 174
... show its destructive face in Pierre . As Michael Ryan points out in a critique of Hobbes's Leviathan , an “ absolute ... shows that for the military man autonomous subjectivity is wholly displaced by the discourse of the state . Unlike ...
... show its destructive face in Pierre . As Michael Ryan points out in a critique of Hobbes's Leviathan , an “ absolute ... shows that for the military man autonomous subjectivity is wholly displaced by the discourse of the state . Unlike ...
Зміст
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
Авторські права | |
5 інших розділів не відображаються
Загальні терміни та фрази
adhesiveness aesthetic album allegory American antebellum Antietam appears argues army Atlanta Barnard battle Battle-Pieces body politic Brady Brady's camera Civil claims Confederate conventions corpse cultural daguerreotype dead death describes displaced disruption Drum-Taps economic edition of Leaves embodiment example exchange experience Federal figure Gardner's Photographic Sketch genre Gettysburg harmony Harper's Weekly history painting Holmes human ideal ideological individual interdiction labor land landscape Leaves of Grass legitimate Leo Marx Library of Congress Lincoln means Melville Melville's Memoranda metaphor military Moby-Dick narrative nature Northern organicist painting pastoral mode photographic representation Photographic Sketch Book Photographic Views picturesque plate poem poet poetry political representation portrait produced recuperate represented restorative rhetoric sacrifice scene seems semiotic sense Sherman's Campaign significant soldiers Southern Specimen Days structure suggests synecdoche textual Thomas Cole Thomas Nast topoi traces trope typification Union Views of Sherman's violence visual War photography White-Jacket Whitman wounded
Посилання на книгу
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Обмежений попередній перегляд - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Перегляд фрагмента - 1996 |