Traces of War: Poetry, Photography, and the Crisis of the UnionJohns Hopkins University Press, 1990 - 240 стор. |
З цієї книги
Результати 1-3 із 16
Сторінка 95
... Southern states , the aesthetic that Cabot describes in 1864 seems to bear ideological significance : The picturesque has its root in the mind's craving for totality . It is Nature seen as a whole ; all the characteristics . . . such as ...
... Southern states , the aesthetic that Cabot describes in 1864 seems to bear ideological significance : The picturesque has its root in the mind's craving for totality . It is Nature seen as a whole ; all the characteristics . . . such as ...
Сторінка 139
... Southern economic and cultural power probably provided a more satisfying ending for the Northern Unionist than any allusion to Johnston's surrender : the great symbols of Lee and Appomattox were outside the sphere of Sherman's and ...
... Southern economic and cultural power probably provided a more satisfying ending for the Northern Unionist than any allusion to Johnston's surrender : the great symbols of Lee and Appomattox were outside the sphere of Sherman's and ...
Сторінка 159
... Southern States , beginning with MISSISSIPPI in this number of the Weekly , accompanied by concise and complete industrial statistics , that the general character and special advantages of the Southern part of the country are understood ...
... Southern States , beginning with MISSISSIPPI in this number of the Weekly , accompanied by concise and complete industrial statistics , that the general character and special advantages of the Southern part of the country are understood ...
Зміст
Whitmans DrumTaps and the Rhetoric of War | 11 |
The Real War Will Never Get in the Books | 46 |
Photography and the Scene of History | 78 |
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Загальні терміни та фрази
adhesiveness aesthetic album allegory American antebellum Antietam appears argues army Atlanta Barnard battle Battle-Pieces body politic Brady Brady's camera Civil claims Confederate conventions corpse cultural daguerreotype dead death describes displaced disruption Drum-Taps economic edition of Leaves embodiment example exchange experience Federal figure Gardner's Photographic Sketch genre Gettysburg harmony Harper's Weekly history painting Holmes human ideal ideological individual interdiction labor land landscape Leaves of Grass legitimate Leo Marx Library of Congress Lincoln means Melville Melville's Memoranda metaphor military Moby-Dick narrative nature Northern organicist painting pastoral mode photographic representation Photographic Sketch Book Photographic Views picturesque plate poem poet poetry political representation portrait produced recuperate represented restorative rhetoric sacrifice scene seems semiotic sense Sherman's Campaign significant soldiers Southern Specimen Days structure suggests synecdoche textual Thomas Cole Thomas Nast topoi traces trope typification Union Views of Sherman's violence visual War photography White-Jacket Whitman wounded
Посилання на книгу
Framing the Victorians: Photography and the Culture of Realism Jennifer Green-Lewis Обмежений попередній перегляд - 1996 |
Strike Through the Mask: Herman Melville and the Scene of Writing Elizabeth Renker Перегляд фрагмента - 1996 |