| Samuel Taylor Coleridge - 1817 - 312 стор.
...to unify. It is essentially vital, even as all objects (a* objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and detinites. The Fancy is indeed no other than a mode of Memory emancipated from the order of time and... | |
| 1817 - 526 стор.
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| Samuel Taylor Coleridge - 1834 - 360 стор.
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definities. The Fancy is, indeed, no other than a mode of Memory emancipated from the order of time... | |
| Samuel Taylor Coleridge - 1840 - 582 стор.
...to unify, ft is essentially vital, even as all objects (as objects) are essentially fixed and dead. it vere fragment! of our nature. A lascivious definities. The Fancy is, indeed, no other than a mode of Memory emancipated from the order of time... | |
| 1844 - 446 стор.
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| 1976 - 1004 стор.
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| 1848 - 722 стор.
...impossible, yet still, at all events, it struggles to idealize and to unify. It is essentially vital," etc. " FANCY, on the contrary, has no other counters to play with, but fixities and definities. The fancy is, indeed, no other than a mode of memory emancipated from the order of time... | |
| 1848 - 734 стор.
...still, at all events, it struggles to idealize and to unify. It is essentially rilal," etc. " FANCV, on the contrary, has no other counters to play with, but fixities and definities. The fancy is, indeed, no other than a mode of memory emancipated from the order of time... | |
| Samuel Taylor Coleridge - 1848 - 458 стор.
...unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.15FANCY, on the contrary, has no other counters to play with, but fixities and definitcs. The fancy is indeed no other than a mode of memory emancipated from the order of time and... | |
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