Leigh Hunt and the Poetry of FancyFairleigh Dickinson Univ Press, 1994 - 276 стор. Leigh Hunt has long been stigmatized as Keats's evil genius, a superficial and mannered poet whose influence can be observed in such early poems as I Stood Tip-Toe and Sleep and Poetry. His portrayal as Harold Skimpole in Bleak House has also fostered an impression of triviality and selfishness in the minds of those who do not trouble to read him. Leigh Hunt and the Poetry of Fancy, so far the only book devoted exclusively to his verse, takes issue with these received opinions and argues that, overshadowed by the work of his more gifted contemporaries, Hunt's output has suffered repeatedly from invidious comparisons. Author Rodney Stenning Edgecombe suggests that we need to bring his admittedly minor poetry out of the shadows and, approaching it on its own sunny terms, find a way of enjoying its slightness and delicate charm. With this in mind, Edgecombe urges that we approach the poet as a rococo artist, using this aesthetic category to legitimize and focus the decorative impulse that informs his vision, and the escapism that sometimes led him, as a poet, to skirt many of the issues he so bravely fought for through his Radical journalism. Like Wordsworth, Hunt divided his output into loose generic categories when he began preparing a select edition of his poetry toward the end of his life, categories retained and amplified by H.S. Milford in his 1923 edition. Edgecombe has used these divisions as a way of organizing his study, and also of illustrating the immense range of forms and genres that the poet explored in the course of a long career. He furthermore offers close readings of many seminal poems in an effort to show that Hunt, dismissed by Carlyle as a sort of poetic "tinker," was a generally creditable craftsperson, and that when the occasion inspired him, he could write very well indeed. |
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Сторінка 18
... essay the difference between these faculties resolves into a difference between levity and gravity in the poet's attitude , " while James Scoggins has observed that poetic " taste in Hunt's criticism is nar- rowed to an appreciation for ...
... essay the difference between these faculties resolves into a difference between levity and gravity in the poet's attitude , " while James Scoggins has observed that poetic " taste in Hunt's criticism is nar- rowed to an appreciation for ...
Сторінка 21
... essay to Thomas Moore and Leigh Hunt . Although he does not offer a reason for this collocation , he would seem to imply that their sensibilities converge in significant ways . While his personal loyalty to Hunt prevented him from ...
... essay to Thomas Moore and Leigh Hunt . Although he does not offer a reason for this collocation , he would seem to imply that their sensibilities converge in significant ways . While his personal loyalty to Hunt prevented him from ...
Сторінка 23
... essay . Because it bore the taint of the ancien regime— Diderot was one of the first to condemn the immorality of Boucher — the rococo can be said to have fallen from grace with the Bourbons . ( We know , for example , that David ...
... essay . Because it bore the taint of the ancien regime— Diderot was one of the first to condemn the immorality of Boucher — the rococo can be said to have fallen from grace with the Bourbons . ( We know , for example , that David ...
Сторінка 30
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Сторінка 39
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Зміст
9 | |
17 | |
Narrative Poems I | 51 |
Narrative Poems II | 95 |
Political and Critical Poems | 143 |
Miscellaneous Verse | 182 |
Epilogue | 237 |
Notes | 240 |
Select Bibliography | 259 |
Index | 271 |
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Загальні терміни та фрази
abstract anapestic Ariadne Ballads beauty Blackwood's blank verse Blunden bower Byron canto Captain Sword charm claims Clarendon Press couplet critical decorative Dickens diction edited Edmund Blunden effect English epistle essay eyes fairy fancy Feast feel fête fête champêtre Francesca grace Gray Gray's H. W. Garrod Hampstead hand Hazlitt heart Hero and Leander Horace Houtchens human Hunt seems Hunt's Huntian Ibid idyll imagination impulse Jerome McGann John Keats Keats-Shelley landscape Leigh Hunt London look lovers lyric medieval Methuen Milford mind mode moral Musaeus narrative nature neoclassicism Nymphs o'er once Oxford University Press painting pastiche pastoral Paulo pleasure poem poet poet's poetic poetry political recalls rhyme Rimini rococo romantic Romanticism satire sense Shelley Skimpole sonnet sort spirit sprezzatura Story of Rimini sublime suggests sweet takes Theseus things thought tion Titian turn vision Watteau words Wordsworth writing
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Сторінка 210 - Catching your heart up at the feel of June, Sole voice that's heard amidst the lazy noon, When even the bees lag at the summoning brass; And you, warm little housekeeper, who class With those who think the candles come too soon, Loving the fire, and with your tricksome tune Nick the glad silent moments as they pass...
Сторінка 132 - Nay, but to live In the rank sweat of an enseamed bed, Stew'd in corruption, honeying and making love Over the nasty sty, — Queen.
Сторінка 17 - The fancy is indeed no other than a mode of memory emancipated from the order of time and space...
Сторінка 72 - Muse to venture down The dark descent, and up to reascend, Though hard and rare...
Сторінка 189 - We conquer'd France, but felt our captive's charms; Her arts victorious triumph'd o'er our arms: Britain to soft refinements less a foe, Wit grew polite, and numbers learn'd to flow. Waller was smooth; but Dryden taught to join The varying verse, the full-resounding line, The long majestic march and energy divine.
Сторінка 143 - that the passion of laughter is nothing else but sudden glory arising from some sudden conception of some eminency in ourselves by comparison with the infirmity of others ; or with our own formerly...
Сторінка 149 - Muse? Night and all her sickly dews, Her spectres wan, and birds of boding cry, He gives to range the dreary sky ; Till down the eastern cliffs afar Hyperion's march they spy, and glittering shafts of war.
Сторінка 79 - IN Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round...
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