Die Grundlagen der literarischen Kritik bei Joseph Addison ...Druck von R. Wagner Sohn, 1906 - 67 стор. |
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Сторінка 1
... Paradise Lost " , sowie den Nummern des „ Spectator " , die gewöhnlich unter dem Titel ,, Essays on the Pleasures of the Imagination “ zusammen- gefaßt werden und ästhetische Fragen erörtern , finden sich theoretische Erwägungen über ...
... Paradise Lost " , sowie den Nummern des „ Spectator " , die gewöhnlich unter dem Titel ,, Essays on the Pleasures of the Imagination “ zusammen- gefaßt werden und ästhetische Fragen erörtern , finden sich theoretische Erwägungen über ...
Сторінка 13
... Paradise Lost " in bezug auf Fabel , Charaktere und Sprache nach den von Aristoteles in der Poetik niedergelegten Grundsätzen und beruft sich bei jedem Punkte ausdrücklich auf den großen Stagiriten , ( Spect . No. 267 , 273 , 279 , 285 ...
... Paradise Lost " in bezug auf Fabel , Charaktere und Sprache nach den von Aristoteles in der Poetik niedergelegten Grundsätzen und beruft sich bei jedem Punkte ausdrücklich auf den großen Stagiriten , ( Spect . No. 267 , 273 , 279 , 285 ...
Сторінка 16
... Paradise Lost " are natural " ( Spect . No. 345 ) . Was aber dieses ,, nature " bedeutet , hatte Pope , von Horaz redend , beantwortet : " Nature and Homer were , he found , the same " ( Essay on Critic . 135 ) und weiter : „ Learn ...
... Paradise Lost " are natural " ( Spect . No. 345 ) . Was aber dieses ,, nature " bedeutet , hatte Pope , von Horaz redend , beantwortet : " Nature and Homer were , he found , the same " ( Essay on Critic . 135 ) und weiter : „ Learn ...
Сторінка 34
... Paradise Lost edle Menschen in Unglück geraten , so ist hier die Aristotelische Lehre zu eng , und dieser Umstand erklärt sich daraus , daß dem Griechen zur Ableitung seiner Regeln nicht genügendes Material an Epen vorgelegen hat ...
... Paradise Lost edle Menschen in Unglück geraten , so ist hier die Aristotelische Lehre zu eng , und dieser Umstand erklärt sich daraus , daß dem Griechen zur Ableitung seiner Regeln nicht genügendes Material an Epen vorgelegen hat ...
Сторінка 36
... Paradise Lost " das Wort : The account of Thammuz is finely romantic , and suitable to what we read among the an- cients of the worship which was paid to that idol " ( Spect . No. 303 ) . IV . Komposition . Die Fabel bzw. Handlung des ...
... Paradise Lost " das Wort : The account of Thammuz is finely romantic , and suitable to what we read among the an- cients of the worship which was paid to that idol " ( Spect . No. 303 ) . IV . Komposition . Die Fabel bzw. Handlung des ...
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Addison agreeable Akenside Ambrose Philips Anschluß Apology for Heroic Aristoteles Ästhetik Ausdruck äußert author Bacon Ballade von Chevy-Chase beauties beautiful Blankvers Boileau Charaktere Charles Perrault Critic Criticism description Dichter Dichtung disagreeable Discov Dryden englische Kritiker entire Epist Epos erklärt ersten Essay Fabel fable fancy first Forderung Gattungen Gedanken Georgicon great genius großen Grundfragen der Poesie Guard Guardian heißt Heroic Poetry Homer Horaz Human ideas image imagination Italy Jeremy Collier John John Dryden Jonson Joseph Addison Julius Caesar King Klasse Komödie läßt Lehre lich Lipsiae little London Longin Longinus make Medals mind muß natural genius nature Nummer Objekte Othello Ovid Paradise Lost Personen pleasure Poet Poetik Poetry and Poetic Pope Quintilian Rapin Rhetorik rules Samuel Johnson Satire Schließlich schließt Schluß Schönheit sense Shakespeare soll Spect Spectator Stagiriten Steele Szene Tatl thing thoughts Tragödie Vergleichung Virgil Vorrede zu Troilus Werken Weselmann whole Works Wort writers writing zitiert
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Сторінка 58 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them not laboriously, but luckily : when he describes anything, you more than see it, you feel it too.
Сторінка 27 - ... for wit lying most in the assemblage of ideas, and putting those together with quickness and variety, wherein can be found any resemblance or congruity, thereby to make up pleasant pictures and agreeable visions in the fancy...
Сторінка 46 - When we look on such hideous objects, we are not a little pleased to think we are in no danger of them*. We consider them, at the same time, as dreadful and harmless ; so that, the more frightful appearance they make, the greater is the pleasure we receive from the sense of our own safety.
Сторінка 46 - English theatre, is one of the most monstrous inventions that ever entered into a poet's thoughts. An author might as well think of weaving the adventures of Aeneas and Hudibras into one poem, as of writing such a motley piece of mirth and sorrow. But the absurdity of these performances is so very visible, that I shall not insist upon it. The same objections which are made to tragicomedy, may, in some measure, be applied to all tragedies that have a double...
Сторінка 58 - All the images of nature were still present to him, and he drew them not laboriously but luckily: when he describes anything you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read Nature; he looked inwards, and found her there.
Сторінка 21 - ... who by the mere strength of natural parts, and without any assistance of art or , learning, have produced works that were the delight ! - !p>.
Сторінка 26 - But this is certain, that a noble writer should be born with this faculty in its full strength and vigour, so as to be able to receive lively ideas from outward objects, to retain them long, and to range them together, upon occasion, in such figures and representations, as are most likely to hit the fancy of the reader.
Сторінка 45 - As a perfect tragedy is the noblest production of human nature, so it is capable of giving the mind one of the most delightful and most improving / entertainments. A virtuous man (says Seneca)^ struggling with misfortunes, is such a spectacle as gods might look upon with pleasure ; and such a pleasure it is which one meets with in the representation of a well-written tragedy.
Сторінка 39 - Ne pueros coram populo Medea trucidet, Aut humana palam coquat exta nefarius Atreus, Aut in avem Procne vertatur, Cadmus in anguem. Quodcunque ostendis mihi sic incredulus odi.
Сторінка 31 - And poets may be allowed the like liberty for describing things which really exist not, if they are founded on popular belief. Of this nature are fairies, pigmies, and the extraordinary effects of magic; for it is still an imitation, though of other men's fancies: and thus are Shakespeare's Tempest, his Midsummer Night's Dream, and Ben Jonson's Masque of Witches to be defended.