PELASGIAN AND CYCLOPEAN WALLS.
YE cliffs of masonry, enormous piles,
Which no rude censure of familiar Time
Nor record of our puny race defiles,
In dateless mystery ye stand sublime,
Memorials of an age of which we see
Only the types in things that once were Ye.
Whether ye rest upon some bosky knoll,
Your feet by ancient myrtles beautified,
Or seem, like fabled dragons, to unroll
Your swarthy grandeurs down a bleak hill-side,
Still on your savage features is a spell
That makes ye half divine, ineffable.
With joy, upon your height I stand alone,
As on a precipice, or lie within
Your shadow wide, or leap from stone to stone,
Pointing my steps with careful discipline,
And think of those grand limbs whose nerve could bear
These masses to their places in mid air ;
Of Anakim, and Titans, and of days
Saturnian, when the spiri't of man was knit
So close to Nature, that his best essays
At Art were but in all to follow it.
In all,-dimension, dignity, degree;
And thus these mighty things were made to be.
"The ruler of the Adriatic, who never was infant nor stripling, whom God took by the right hand and taught to walk by himself the first hour."-LANDOR.
WALK in St. Mark's, the time the ample space
Lies in the freshness of the evening shade,
When, on each side, with gravely darkened face,
The masses rise above the light arcade ;
Walk down the midst with slowly-tuned pace,
But gay withal, for there is high parade
Of fair attire and fairer forms, which pass
Like varying groups on a magician's glass.
From broad-illumined chambers far within,
Or under curtains daintily outspread,
Music, and laugh, and talk, the motley din
Of all who from sad thought or toil are sped,
Here a chance hour of social joy to win,
Gush forth, but I love best, above my head
To feel nor arch nor tent, nor anything
But that pure Heaven's eternal covering.
It is one broad Saloon, one gorgeous Hall;
A chamber, where a multitude, all Kings,
May hold full audience, splendid festival,
Or Piety's most pompous ministerings;
Thus be its height unmarred,—thus be it all
One mighty room, whose form direct upsprings
To the o'er-arching sky ;-it is right good,
When Art and Nature keep such brotherhood.
For where, upon the firmest sodden land,
Has ever Monarch's power and toil of slaves
Equalled the works of that self-governed band,
Who fixed the Delos of the Adrian waves;
Planting upon these strips of yielding sand
A Temple of the Beautiful, which braves
The jealous strokes of ocean, nor yet fears
The far more perilous sea,
"whose waves are years?"
Walk in St. Mark's again, some few hours after,
When a bright sleep is on each storied pile,—
When fitful music, and inconstant laughter,
Give place to Nature's silent moonlight smile :
Now Fancy wants no faery gale to waft her
To Magian haunt, or charm-engirded isle,
All too content, in passive bliss, to see
This show divine of visible Poetry:-
:-
On such a night as this impassionedly
The old Venetian sung those verses rare,
"That Venice must of needs eternal be,
For Heaven had looked through the pellucid air,
And cast its reflex in the crystal sea,
And Venice was the image pictured there;"
I hear them now, and tremble, for I seem
As treading on an unsubstantial dream.
* "Ich hörte einen blinden Sänger in Chioggia, der sang, Venedig sey eine ewige Stadt; der Himmel hätte sich im Meer gespiegelt und sein Widerschein wäre Venedig."-PLATEN.
Who talks of vanished glory, of dead power,
Of things that were, and are not? Is he here?
Can he take in the glory of this hour,
And call it all the decking of a bier?
No, surely as on that Titanic tower
The Guardian Angel stands in æther clear,
With the moon's silver tempering his gold wing,
So Venice lives, as lives no other thing :-
That strange Cathedral! exquisitely strange,
That front, on whose bright varied tints the eye
Rests as of gems,-those arches, whose high range
Gives its rich-broidered border to the sky,-
Those ever-prancing steeds!—My friend, whom change
Of restless will has led to lands that lie
Deep in the East, does not thy fancy set
Above those domes an airy minaret?
Dost thou not feel, that in this scene are blent
Wide distances of the estrangèd earth,
Far thoughts, far faiths, beseeming her who bent
The spacious Orient to her simple worth,
Who, in her own young freedom eminent,
Scorning the slaves that shamed their ancient birth,
And feeling what the West could be, had been,
Went out a Trave'ller and returned a Queen?
WHEN along the light ripple the far serenade
Has accosted the ear of each passionate maid,
She may open the window that looks on the stream,—
She may smile on her pillow and blend it in dream;
Half in words, half in music, it pierces the gloom,
"I am coming-Stall-but you know not for whom !
Stall-not for whom !"
Now the tones become clearer,-you hear more and more
How the water divided returns on the oar,-
Does the prow of the Gondola strike on the stair?
Do the voices and instruments pause and prepare?
Oh! they faint on the ear as the lamp on the view,
"I am passing-Premì—but I stay not for you!
Premi-not for you!"
Then return to your couch, you who stifle a tear,
Then awake not, fair sleeper-believe he is here;
For the young and the loving no sorrow endures,
If to-day be another's, to-morrow is yours;
May, the next time you listen, your fancy be true.
"I am coming-Sciar-and for you and to you!
Sciar-and to you!"
The Venetian words here used are the calls of the gondoliers :—
Stall-to the right.
Premì-to the left.
Sciar-stop the boat.
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