tained the name of " Sheelah's day," speciale gratia, without any reference to the calendar of saints. The saint himself, if we determine from the sacrifices to his memory, is deemed a kind of christian Bacchus; and, on like home-made authority," Sheelah" is regarded as his con sort. The editor of this work especially regrets that few of the peculiarities regarding this festival which are familiar to Irishmen have been communicated to him. He has received letters expressing surprise that so little has been observed concerning their country. Such com plaints have been made under initials, and therefore he could not answer them: the complainants he has no doubt could have contributed largely themselves, and from them he would have required information. As many Irish usages are fast dying away, he hopes and earnestly solieits to be favoured with particulars, which he is persuaded the collections or recollections of his Irish readers can readily furnish, and which he will be most happy in having intrusted to him for publication. Any illustrations of Irish character and manners, especially if drawn up by natives of Ireland, will be highly alued. On St. Patrick's day, 1740, the butchers in Clare-market, London, hung up a grotesque figure of an Irishman. A great number of Irishmen came to pull it down, when a fierce battle ensued, much mischief was done, and several persons were dangerously wounded; but a file of musqueteers having been fetched from St. James's, some of the rioters were taken into custody, and three of them were committed by col. De Veil to Newgate.* A correspondent who signs, "IKEY PINGLE," communicates a copy of a singular monumental inscription in the churchyard of Grimmingham, in Norfolk, It is subjoined on this day, because the public performer to whom it refers is stated to have quitted this stage of life on this day, in the year 1798. Gentleman's Magazine. Epitaph. SACRED To the memory of THOMAS JACKSON, COMEDIAN, who was engaged, 21st of Dec. 1741, to play a comic cast of characters, in this which he was prompted by nature to excel. great theatre-the World: for many of The season, being ended, his benefit closed, he made his exit in the tragedy of over, the charges all paid, and his account Death, on the 17th of March, 1798, in full assurance of being called once more to rehearsal; where he hopes to find his forfeits all cleared, his cast of parts bettered, and his situation made agreeable, by him who paid the great stock-debt, for the love he bore to performers in general. NATURALISTS' CALENDAR. March 19. 1826. Oxford Term ends. PALM SUNDAY, This is the first of Passion Week. To accounts of remarkable ceremonies peculiar to the day, and its present observance, it is proper to add the mode wherein it is celebrated by the papal pontiff at Rome. An eye-witness to the pageant relates as follows: About half-past nine in the morning, the pope entered the Sistine chapel, attired in a robe of scarlet and gold, which he wore over his ordinary dress, and took his throne. The cardinals, who were at first dressed in under-robes of a violet colour (the mourning for cardinals), with their rich antique lace, scarlet trains, and mantles of ermine, suddenly put off these accoutrements, and arrayed them selves in most splendid vestments, which had the appearance of being made of carved gold. The tedious ceremony of each separately kissing the pope's hand, and making their three little bows, being gone through, and some little chaunting and fidgetting about the altar being got over, two palm branches, of seven or eight feet in length, were brought to the pope, who, after raising over them a cloud of incense, bestowed his benediction upon them: then a great number of smaller palms were brought, and a cardinal, who acted as the pope's aid-decamp on this occasion, presented one of these to every cardinal as he ascended the steps of the throne, who again kissed the pope's hand and the palm, and retired. Then came the archbishops, who kissed both the pope's hand and toe, followed by the inferior orders of clergy, in regular gradations, who only kissed the toe, as they carried off their palms. The higher dignitaries being at last provided with palms, the deacons, canons, choristers, cardinals, train-bearers, &c. had each to receive branches of olive, to which, as well as to the palms, a small cross was suspended. At last, all were ready to act their parts, and the procession began to move: it began with the lowest in clerical rank, who moved off two by two, rising gradually in dignity, till they came to prelates, bishops, archbishops, and cardinals, and terminated by the pope, borne in his chair of state (sedia gestatoria) on men's shoulders, with a crimson canopy over his head. By far the most striking figures in the procession were the bishops and patriarchs of the Armenian church. One of them wore a white crown, and another a crimson crown glittering with jewels. The mitres of the bishops were also set with precious stones; and their splendid dresses, and long wavy beards of silver whiteness, gave them a most venerable and imposing appearance. The procession issued forth into the Sala Borgia (the hall behind the Sistine chapel), and marched round it, forming nearly a circle; for by the time the pope had gone out, the leaders of the procession had nearly come back again; but they found the gates of the chapel closed against them, and, on admittance being demanded, a voice was heard from within, in deep recitative, seemingly inquiring into their business, or claims for entrance there. This was answered by the choristers from the procession in the hall; and after a chaunted parley of a few minutes, the gates were again opened, and the pope, cardinals, and priests, returned to their seats. Then the passion was chaunted; and then a most tiresome long service commenced, in which the usual genuflections, and tinkling of little bells, and dressings and undressings, and walking up and coming down the steps of the altar, and bustling about, went on; and which at last terminated in the cardinals all embracing and kissing each other, which is considered the kiss of peace. The palms are artificial, plaited of straw, or the leaves of dried reeds, so as to resemble the real branches of the palmtree when their leaves are plaited, which are used in this manner for this ceremony in the catholic colonies of tropical climates. These artificial palms, however, are topped with some of the real leaves of the palm-tree, brought from the shores of the gulf of Genoa.* Palm Sunday in Spain. The following is a description of the celebration of this day in the cathedral of Seville : Early in the morning, the melancholy sound of the passion-bell announces the beginning of the solemnities for which the fast of Lent is a preparation. This bell, the largest of several which are made to revolve upon pivots, is moved by means of two long ropes, which by swinging the bell into a circular motion, are twined, gently at first, round the massive arms of a cross, of which the bell forms the foot, and the head its counterpoise. Six men then draw back the ropes, till the enormous machine receives a sufficient impetus to coil them in an opposite direction; and thus alternately, as long as ringing is required. To give this bell a tone appro priate to the sombre character of the season, it has been cast with several large holes disposed in a circle round the topa contrivance which without diminishing the vibration of the metal, prevents the distinct formation of any musical note, and converts the sound into a dismal clangour. * Rome in the Nineteenth Century. |