On the day of the premiere, Chagall walked into my dressing room. After preparing his colors, he set to work. He divided my face into two parts. One he painted green, the other yellow (as they say, 'green and yellow' [pale, downcast}). Chagall lifted... Messiahs of 1933: How American Yiddish Theatre Survived Adversity Through Satire - Сторінка 218 автори: Joel Schechter - 2008 - 320 стор. Обмежений попередній перегляд -
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