 | Benjamin Harshav, Marc Chagall, Barbara Harshav - 2004 - 1060 стор.
...the stage. The spectators saw many perspectives; painted objects were contrasted with real objects; Chagall hated real objects as illegitimate disturbers...cosmos and furiously hurled them off the stage; with the same rage, he painted over— one might say plastered with color— that indispensable minimum... | |
 | Benjamin Harshav, Irina N. Duksina, Cholem Aleichem - 2008 - 260 стор.
...perspective, which did not consider any perspectives; painted objects were contrasted with real objects; Chagall hated real objects as illegitimate disturbers...cosmos and furiously hurled them off the stage; with the same rage, he painted over — one might say plastered with color — that indispensable minimum... | |
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... the apron, as he was accustomed to placing his paintings on walls or easels. The objects were painted with Chagallian foreshortening, with his own perspective, which did not consider any perspective of the stage. The spectators saw many perspectives;... 