The Hyacinth Room: An Investigation Into the Nature of Comedy, Tragedy, & TragicomedyKnopf, 1964 - 317 стор. |
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Сторінка 61
... past , but a past which , like her present , doesn't bear think- ing of . Salter , by way of affirming his hold on her , is moved to tell her at one point that he knows her better than she knows herself . The Unknown Lady . That's a ...
... past , but a past which , like her present , doesn't bear think- ing of . Salter , by way of affirming his hold on her , is moved to tell her at one point that he knows her better than she knows herself . The Unknown Lady . That's a ...
Сторінка 257
... past and present in images such as these is but to render emphatic the incongruities of which human experience is compact . Habit , that " great deadener , " as Vladimir terms it , " is what enables human kind to get used to life ; also ...
... past and present in images such as these is but to render emphatic the incongruities of which human experience is compact . Habit , that " great deadener , " as Vladimir terms it , " is what enables human kind to get used to life ; also ...
Сторінка 311
... past sin and error , that tragedy flows into comedy , as it is seen doing in The Winter's Tale and Little Eyolf ; as ... past , stained with guilt and double- dyed in falsehood though this may be , for as Harcourt - Reilly says in The ...
... past sin and error , that tragedy flows into comedy , as it is seen doing in The Winter's Tale and Little Eyolf ; as ... past , stained with guilt and double- dyed in falsehood though this may be , for as Harcourt - Reilly says in The ...
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The Widow of Ephesus | 3 |
Navarre and His Bookmen | 21 |
Crispin and Leandro | 41 |
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acceptance according action appears aspirations bears beauty become beginning better bring brought characters close comedy comes comic concerned contradiction course daughter death desire drama dream earth edited effect effort Elizabethan Euripides evident evil experience face fact faith fall father feel final folly give goes Gregers Hamlet hand happiness heaven Hialmar human Ibid ideal illusion imagination incongruity irony Jacobean keep kind King Lady less live look lovers madness man's manner means Measure merely mind nature never once pass passion past person Plautus play present Press principal question rational reality reason regularly says scene seeking seems sense Signora soul speaks spirit suffering things tion tragedy tragic translated true truth turn virtue vision Volpone whole wife witness woman young