Shakespearean Language: A Guide for Actors and StudentsBloomsbury Academic, 2002 - 269 стор. Shakespeare was a master of language, his sayings have become part of everyday speech, and his plays endure, in part, because of the beauty of his verse. Shakespeare's language, however, poses special difficulties for modern actors because many of his words seem unusual or difficult to pronounce, he employs rhetorical devices throughout his works, and he carefully uses rhythm to convey sense. |
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... thought ( marked by , perhaps , a period in a modern edition ) we can see immediately how the emotional rhythm supports the intellectual shift . This midline shift is known as the caesura , and is a common feature of all verse . One of ...
... thought that does not immediately leap off the page , I use a slash . This allows the sight - reading actor to know that one thought is ending and a new one beginning , without predisposing the nature of that tran- sition . Should it be ...
... Thought of what thou wast , To Torture thee the more , being what thou art . The first two lines are clear , and wonderfully evocative if you think of justice as a powerful rider on a great stallion , following a fox on a course through ...
Зміст
Sound and Fury | 1 |
An Actors Guide to Shakespeares Verse | 21 |
Scansion | 31 |
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