Shakespearean Language: A Guide for Actors and StudentsBloomsbury Academic, 2002 - 269 стор. Shakespeare was a master of language, his sayings have become part of everyday speech, and his plays endure, in part, because of the beauty of his verse. Shakespeare's language, however, poses special difficulties for modern actors because many of his words seem unusual or difficult to pronounce, he employs rhetorical devices throughout his works, and he carefully uses rhythm to convey sense. |
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... beginning and ending of a thought midline . Here is the rhythm of such an inversion : da DUM da DUM // DUM da da DUM ... beginning or end of a line . The driving force of the emotional wave pushes the energy on to the end of the line ...
... beginning of a new pulse of energy along with a new thought . The rhythm alone is sufficient to provide the marker , and far more subtle a shaping than the line reading suggested by an exclamation mark . To mark a change of thought that ...
... beginning of words in phrase • anaphora : beginning series of clauses with same word • epistrophe : ending series of clauses with same word • ⚫ symploce : anaphora and epistrophe combined • epanalepsis : same word at end as at beginning ...
Зміст
Sound and Fury | 1 |
An Actors Guide to Shakespeares Verse | 21 |
Scansion | 31 |
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