Hamlet, Protestantism, and the Mourning of Contingency: Not to beAshgate, 2006 - 246 стор. Building on current scholarly interest in the religious dimensions of the play, this study shows how Shakespeare uses Hamlet to comment on the Calvinistic Protestantism predominant around 1600. By considering the play's inner workings against the religious ideas of its time, John Curran explores how Shakespeare portrays in this work a completely deterministic universe in the Calvinist mode, and, Curran argues, exposes the disturbing aspects of Calvinism. By rendering a Catholic Prince Hamlet caught in a Protestant world which consistently denies him his aspirations for a noble life, Shakespeare is able in this play, his most theologically engaged, to delineate the differences between the two belief systems, but also to demonstrate the consequences of replacing the old religion so completely with the new. |
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Сторінка 103
... feeling is a principal way we dignify time . We invest a moment with dignity when within it we direct our feelings to an especially intense and righteous pitch , and manifest this feeling truthfully in our outward shows . Or , referring ...
... feeling is a principal way we dignify time . We invest a moment with dignity when within it we direct our feelings to an especially intense and righteous pitch , and manifest this feeling truthfully in our outward shows . Or , referring ...
Сторінка 128
... feeling he ascribes to himself , to put on a sufficiently immense show to communicate that feeling sufficiently to an audience . The Player has moved an audience with a magnificent display of no feeling : for Hamlet this means that he ...
... feeling he ascribes to himself , to put on a sufficiently immense show to communicate that feeling sufficiently to an audience . The Player has moved an audience with a magnificent display of no feeling : for Hamlet this means that he ...
Сторінка 211
... feeling for Ophelia , for whose death he feels no guilt and whom he mourns not at all in the next scene , cannot possibly match his silly ostentation , Hamlet envisions even greater ostentation , as though ostentatious shows of feeling ...
... feeling for Ophelia , for whose death he feels no guilt and whom he mourns not at all in the next scene , cannot possibly match his silly ostentation , Hamlet envisions even greater ostentation , as though ostentatious shows of feeling ...
Зміст
The Be the Eucharist and the Logic of Protestantism | 18 |
Purgatory and the Value of Time | 65 |
The Theater of Merit | 103 |
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Hamlet, Protestantism, and the Mourning of Contingency: Not to Be Professor John E. Curran Jr Обмежений попередній перегляд - 2013 |
Hamlet, Protestantism, and the Mourning of Contingency: Not to Be John E. Curran Jr Обмежений попередній перегляд - 2016 |
Hamlet, Protestantism, and the Mourning of Contingency: Not to Be John E. Curran Jr Обмежений попередній перегляд - 2016 |
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