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with truth and genius. But the bent of his mind went the other way; and even when employed on subjects whose interest depended on character and incident, he would start off in another direction, and leave the delineations of human passion, which he could depict in so able a manner, for fantastic creations of his fancy, or the expression of those opinions and sentiments with regard to human nature and its destiny; a desire to diffuse which, was the master passion of his soul.

HELLAS;

A LYRICAL DRAMA

ΜΑΝΤΙΣ ΕΙΜ' ΕΣΘΛΩΝ ΑΓΩΝΩΝ.

EDIP. COLON.

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PREFACE.

THE poem of "Hellas," written at the suggestion of the events of the moment, is a mere improvise, and derives its interest (should it be found to possess any) solely from the intense sympathy which the Author feels with the cause he would celebrate.

The subject, in its present state, is insusceptible of being treated otherwise than lyrically, and if I have called this poem a drama, from the circumstance of its being composed in dialogue, the license is not greater than that which has been assumed by other poets, who have called their productions epics, only because they have been divided into twelve or twenty-four books.

The Persæ of Eschylus afforded me the first model of my conception, although the decision of the glorious contest now waging in Greece being yet suspended, forbids a catastrophe parallel to the return of Xerxes and the desolation of the Persians. I have, therefore, contented myself with exhibiting a series of lyric pictures, and with having wrought upon the curtain of futurity, which falls upon the unfinished scene, such figures of indistinct and visionary delineation as suggest the final triumph of the Greek cause as a portion of the cause of civilization and social improvement.

The drama (if drama it must be called) is, however, so inartificial, that I doubt whether, if recited on the Thespian wagon to an Athenian village at the Dionysiaca, it would have obtained the prize of the goat. I shall bear with equanimity any punishment greater than the loss of such a reward which the Aristarchi of the hour may think fit to inflict.

The only goat-song which I have yet attempted has, I con confess, in spite of the unfavourable nature of the subject, received a greater and a more valuable portion of applause than I expected, or than it deserved.

Common fame is the only authority which I can allege for the details which form the basis of the poem, and I must VOL. II.

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