Tragic Plots: A New Reading from Aeschylus to LorcaAshgate, 2000 - 248 стор. Rosslyn (English, U. of Leicester) traces the central stream of feeling in tragic drama across time and cultural barriers, particularly looking at what the audience needs expressed and what the artist does to meet that need. Though the plays themselves provide the evidence, and the plots reveal which problems the audience is most preoccupied with, she warns that scholars must be alive to the difference between what they say they are about, what they think they are about, and what audiences sense they really are about. The playwright, she says, may be as unclear as everyone else about the real motive for writing. Annotation copyrighted by Book News Inc., Portland, OR |
З цієї книги
Результати 1-3 із 41
Сторінка 100
... Renaissance learning painfully acquired in the schoolroom ( from Aeneid VI ) . His closing use of the term ' tragedy ' to mean something like ' unnatural pain ' shows how debased is the understanding derived from Seneca ; and at every ...
... Renaissance learning painfully acquired in the schoolroom ( from Aeneid VI ) . His closing use of the term ' tragedy ' to mean something like ' unnatural pain ' shows how debased is the understanding derived from Seneca ; and at every ...
Сторінка 103
... Renaissance plots that is quite foreign to Athenian , or indeed Senecan ones . The taboo on knowledge brings with it the converse temptation of ' daring to know ' which , it is not surprising to find , the playwrights handle with ...
... Renaissance plots that is quite foreign to Athenian , or indeed Senecan ones . The taboo on knowledge brings with it the converse temptation of ' daring to know ' which , it is not surprising to find , the playwrights handle with ...
Сторінка 142
... Renaissance habits of mind Shakespeare cannot thus far shake off , and which give the plays their peculiar bias . Chief of these is the readiness to think of women as a different species , either much better , or much worse than men ...
... Renaissance habits of mind Shakespeare cannot thus far shake off , and which give the plays their peculiar bias . Chief of these is the readiness to think of women as a different species , either much better , or much worse than men ...
Інші видання - Показати все
Tragic Plots: A New Reading from Aeschylus to Lorca Felicity Rosslyn Обмежений попередній перегляд - 2018 |
Tragic Plots: A New Reading from Aeschylus to Lorca Felicity Rosslyn Попередній перегляд недоступний - 2017 |
Tragic Plots: A New Reading from Aeschylus to Lorca Felicity Rosslyn Попередній перегляд недоступний - 2019 |
Загальні терміни та фрази
Aegisthus Aeschylus Agamemnon Allmers Alving Antigone Aphrodite Apollo Apollonian Athenian Athens audience Bacchants becomes Bernarda blood body bonds brings characters Chekhov child classical Clytaemnestra consciousness context Coriolanus Creon crime daughters dead death Desdemona Dionysiac Dionysus drama earth Electra Eumenides Euripides Eyolf father Faustus fear Federico García Lorca feel female Furies Gayev gives goddess gods Greek Hamlet hero heroic Hippolytus honour horror human husband Iago Ibsen incest individual issue Jason justice killed kind king Lear Little Eyolf live Lorca Macbeth Machiavel male Marlowe marriage masculine means Medea mother murder nature never Nora Oedipus Oresteia Orestes Othello passion Pentheus perhaps Phaedra play plot polis punishment Renaissance repr revenge Rita role says scene seems sense sexual Shakespeare shows Sophocles Strindberg T.S. Eliot takes tell terrible Thebes things Torvald tragedy tragic trans truth wife woman women Yerma Zeus
Посилання на книгу
Classics in Post-Colonial Worlds Lorna Hardwick,Carol Gillespie Попередній перегляд недоступний - 2007 |