Studying Shakespeare: A Guide to the PlaysJohn Wiley & Sons, 15 квіт. 2008 р. - 256 стор. This engaging book draws on all of Shakespeare's plays to show they can still be used as a guide to life.
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З цієї книги
Результати 1-5 із 54
Сторінка 2
... tell stories and show characters but to tell our stories and show our selves. Lavinia illustrates this very point in Titus Andronicus when, having suffered egregious horrors – a double rape and the amputation of both her hands and her ...
... tell stories and show characters but to tell our stories and show our selves. Lavinia illustrates this very point in Titus Andronicus when, having suffered egregious horrors – a double rape and the amputation of both her hands and her ...
Сторінка 4
... tell-tale present tense of “drunkenness is disgusting” shows, it confusingly conflates subjective moral judgment with analytical criticism. Although such subjective pronouncements linger in some New Critical work such as Harold Bloom's ...
... tell-tale present tense of “drunkenness is disgusting” shows, it confusingly conflates subjective moral judgment with analytical criticism. Although such subjective pronouncements linger in some New Critical work such as Harold Bloom's ...
Сторінка 7
... tell us that the Renaissance was the era of the individual, they provide a. 6 See Burns's illuminating and undervalued Character (1990) for further discussion of such episodes. In a study of those variant Shakespeare plays which were ...
... tell us that the Renaissance was the era of the individual, they provide a. 6 See Burns's illuminating and undervalued Character (1990) for further discussion of such episodes. In a study of those variant Shakespeare plays which were ...
Сторінка 9
... tell the story from Goneril's point of view.) In the following chapters I illustrate some of life's most familiar stories, drawn from all of Shakespeare's plays, and arranged in five broad chapters: “Private Life” (Shakespeare and ...
... tell the story from Goneril's point of view.) In the following chapters I illustrate some of life's most familiar stories, drawn from all of Shakespeare's plays, and arranged in five broad chapters: “Private Life” (Shakespeare and ...
Сторінка 12
... tell me who I am?” (Lear 1.4.230). Introduction. Shakespearean comedy typically has a tripartite structure: an opening predicament, a central section of confusion and dissolving identities, followed by restoration. We see this in Comedy ...
... tell me who I am?” (Lear 1.4.230). Introduction. Shakespearean comedy typically has a tripartite structure: an opening predicament, a central section of confusion and dissolving identities, followed by restoration. We see this in Comedy ...
Зміст
1 | |
12 | |
2 Marital Life Shakespeare and Romance | 50 |
3 Political Life Shakespeare and Government | 88 |
4 Public Life Shakespeare and Social Structures | 140 |
5 Real Life Shakespeare and Suffering | 180 |
Works Cited | 223 |
Index | 235 |
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actor All’s Angelo anger Antipholus Antony and Cleopatra attitude audience Bassanio behavior Bertram brother Brutus Bullingbrook Cassius chapter characters Claudio comedy Coriolanus Coriolanus’s court critics Cymbeline daughter death Diomedes drama Duke early modern Elizabeth Elizabethan emotional England Falstaff father female friends grief Hamlet hath Helena Henry Hermia hero Hotspur human husband Iago identity images Isabella Julius Caesar Katherine Katherine’s King John King Lear language Lear’s Leggatt lover Malvolio marriage marry Merchant of Venice Midsummer Night’s Dream mother mourning murder night Noble Kinsmen Othello Pericles Petruccio play’s plot political Portia Prince Renaissance revenge rhetorical Richard Richard III role Roman Romeo and Juliet Rosalind RSC production says scene servant sexual Shakespeare Shakespeare’s plays Shrew soliloquy speech stage story tells theater theatrical thee thou Timon Titus Andronicus tragedy Troilus and Cressida twins wife Winter’s Tale woman women wooing word