Studying Shakespeare: A Guide to the PlaysJohn Wiley & Sons, 15 квіт. 2008 р. - 256 стор. This engaging book draws on all of Shakespeare's plays to show they can still be used as a guide to life.
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Сторінка xi
... Drama 31 (2002), ed. Wendy Wall and Jeffrey Masten. I am grateful to the publishers – Harvester, Garland, University of Delaware Press, Blackwell, Routledge, and Northwestern University Press – for allowing me to reprint portions of ...
... Drama 31 (2002), ed. Wendy Wall and Jeffrey Masten. I am grateful to the publishers – Harvester, Garland, University of Delaware Press, Blackwell, Routledge, and Northwestern University Press – for allowing me to reprint portions of ...
Сторінка 1
... drama was clear; Elizabeth told her councilors, “I am Richard II, know ye not that?” (Ure 1961: lix). During the long madness of George III, stage productions of King Lear were banned in England because the resemblance between the mad ...
... drama was clear; Elizabeth told her councilors, “I am Richard II, know ye not that?” (Ure 1961: lix). During the long madness of George III, stage productions of King Lear were banned in England because the resemblance between the mad ...
Сторінка 5
... drama, this kind of character analysis has a long literary history. Plutarch's Parallel Lives of the Greeks and Romans, a series of historical biographies, was one of Shakespeare's favorite sources: it supplied the base for the ...
... drama, this kind of character analysis has a long literary history. Plutarch's Parallel Lives of the Greeks and Romans, a series of historical biographies, was one of Shakespeare's favorite sources: it supplied the base for the ...
Сторінка 9
... drama.” A character in a Russell Hoban novel muses, “I'd always assumed that I was the central character in my own story but now it occurred to me that I might in fact be only a minor character in someone else's” (1975: 186). Hoban's ...
... drama.” A character in a Russell Hoban novel muses, “I'd always assumed that I was the central character in my own story but now it occurred to me that I might in fact be only a minor character in someone else's” (1975: 186). Hoban's ...
Сторінка 13
... drama's indebtedness to pagan celebrations in which the changing agricultural year was presented theatrically as a conflict between winter and summer. Francis M. Cornford's seminal study, The Origins ofAttic Comedy, traces this ...
... drama's indebtedness to pagan celebrations in which the changing agricultural year was presented theatrically as a conflict between winter and summer. Francis M. Cornford's seminal study, The Origins ofAttic Comedy, traces this ...
Зміст
1 | |
12 | |
2 Marital Life Shakespeare and Romance | 50 |
3 Political Life Shakespeare and Government | 88 |
4 Public Life Shakespeare and Social Structures | 140 |
5 Real Life Shakespeare and Suffering | 180 |
Works Cited | 223 |
Index | 235 |
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actor All’s Angelo anger Antipholus Antony and Cleopatra attitude audience Bassanio behavior Bertram brother Brutus Bullingbrook Cassius chapter characters Claudio comedy Coriolanus Coriolanus’s court critics Cymbeline daughter death Diomedes drama Duke early modern Elizabeth Elizabethan emotional England Falstaff father female friends grief Hamlet hath Helena Henry Hermia hero Hotspur human husband Iago identity images Isabella Julius Caesar Katherine Katherine’s King John King Lear language Lear’s Leggatt lover Malvolio marriage marry Merchant of Venice Midsummer Night’s Dream mother mourning murder night Noble Kinsmen Othello Pericles Petruccio play’s plot political Portia Prince Renaissance revenge rhetorical Richard Richard III role Roman Romeo and Juliet Rosalind RSC production says scene servant sexual Shakespeare Shakespeare’s plays Shrew soliloquy speech stage story tells theater theatrical thee thou Timon Titus Andronicus tragedy Troilus and Cressida twins wife Winter’s Tale woman women wooing word