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Of mean submission, not the meed of worth.
True genuine honour its large patent holds
Of all mankind, through every land and age,
Of universal Reason's various sons,

And even of God himself, sole perfect Judge!
Yet know, these noblest honours of the mind
On rigid terms descend: the high-placed heir,
Scann'd by the public eye, that with keen gaze
Malignant seeks out faults, cannot through life,
Amid the nameless insects of a court,
Inheeded steal; but, with his sire compared,
He must be glorious, or he must be scorn'd.
This truth to you, who merit well to bear
A name to Britons dear, the' officious Muse
May safely sing, and sing without reserve.

Vain were the plaint, and ignorant the tear,
That should a Talbot mourn. Ourselves, indeed,
Our country robb'd of her delight and strength,
We may lament. Yet let us grateful joy,
That we such virtues knew, such virtues felt,
And feel them still, teaching our views to rise
Through ever-brightening scenes of future worlds.
Be dumb, ye worst of zealots! ye that, prone
To thoughtless dust, renounce that generous hope,
Whence every joy below its spirit draws,
And every pain its balm. A Talbot's light,
A Talbot's virtues claim another source
Than the blind maze of undesigning blood;
Nor, when that vital fountain plays no more,
Can they be quench'd amid the gelid stream.
Methinks I see his mounting spirit, freed
From tangling earth, regain the realms of day,
Its native country, whence, to bless mankind,
Eternal Goodness on this darksome spot
Had ray'd it down awhile. Behold! approved
By the tremendous Judge of heaven and earth,
And to the' Almighty Father's presence join'd,
He takes his rank, in glory and in bliss,
Amid the human worthies. Glad around
Crowd his compatriot shades, and point him out,
With joyful pride, Britannia's blameless boast.
Ah! who is he that with a fonder eye

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Meets thine enraptured ?—T is the best of sons!

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The best of friends! Too soon is realized

That hope which once forbade thy tears to flow!
Meanwhile the kindred souls of every land,
(Howe'er divided in the fretful days
Of prejudice and error,) mingled now
In one selected, never-jarring state,

Where God himself their only Monarch reigns,
Partake the joy: yet, such the sense that still
Remains of earthly woes, for us below,
And for our loss, they drop a pitying tear.
But cease, presumptuous Muse, nor vainly strive
To quit this cloudy sphere that binds thee down:
"T is not for mortal hand to trace these scenes,
Scenes that our gross ideas grovelling cast
Behind, and strike our boldest language dumb.
Forgive, immortal shade! if aught from earth,
From dust, low-warbled, to those groves can rise
Where flows celestial harmony; forgive
This fond superfluous verse. With deep-felt voice,
On every heart impress'd, thy deeds themselves
Attest thy praise. Thy praise the widow's sighs
And orphan's tears embalm. The good, the bad,
The sons of justice and the sons of strife,
All who or freedom or who interest prize,

A deep-divided nation's parties all,

Conspire to swell thy spotless praise to heaven.
Glad heaven receives it, and seraphic lyres
With songs of triumph thy arrival hail.
How vain this tribute, then, this lowly lay!
Yet nought is vain which Gratitude inspires.
The Muse, besides, her duty thus approves
To virtue, to her country, to mankind,
To ruling Nature, that in glorious charge,
As to her priestess, gives it her, to hymn
Whatever good and excellent she forms.

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THE

CASTLE OF INDOLENCE:

AN ALLEGORICAL POEM.

ADVERTISEMENT.

THIS poem being writ in the manner of Spenser, the obsolete words, and a simplicity of diction in some of the lines which borders on the ludicrous, were necessary to make the imitation more perfect. And the style of that admirable poet, as well as the measure in which he wrote, are, as it were, appropriated by custom to all allegorical poems writ in our language; just as in French the style of Marot, who lived under Francis I., has been used in tales and familiar epistles by the politest writers of the age of Louis XIV

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