The Mind of John KeatsOxford University Press, 1926 - 209 стор. |
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Сторінка 7
... objects , The principle of Beauty in all things : it is the supersensuous quality which makes all desired objects ideal ; and Cynthia , as moon- goddess , crowns and personifies this , representing the ideal beauty or love of woman ...
... objects , The principle of Beauty in all things : it is the supersensuous quality which makes all desired objects ideal ; and Cynthia , as moon- goddess , crowns and personifies this , representing the ideal beauty or love of woman ...
Сторінка 9
... object not merely to afford transient pleasure , to excite a momentary gleam of liberty . Her aim is to make us intrinsically and absolutely free . And this she accomplishes by awakening , exercising and perfecting in us a power to ...
... object not merely to afford transient pleasure , to excite a momentary gleam of liberty . Her aim is to make us intrinsically and absolutely free . And this she accomplishes by awakening , exercising and perfecting in us a power to ...
Сторінка 10
... object which reconciles the diverse im- pulsions of human nature and gives repose . " It is the pos- sibility of finding spiritual repose in a work of art , too , that is celebrated in the Ode on a Grecian Urn . Here it is shown that ...
... object which reconciles the diverse im- pulsions of human nature and gives repose . " It is the pos- sibility of finding spiritual repose in a work of art , too , that is celebrated in the Ode on a Grecian Urn . Here it is shown that ...
Сторінка 21
... object he sets out to accomplish : namely , to show from the poems a progressive development in Keats's poetic principles . In the beginning , the writer commits himself to the proposition that " each par- ticular poem contributes a ...
... object he sets out to accomplish : namely , to show from the poems a progressive development in Keats's poetic principles . In the beginning , the writer commits himself to the proposition that " each par- ticular poem contributes a ...
Сторінка 48
... objects preparatory to an under- standing of the supreme ideal , 1 so Keats became early con- vinced that poetic power and poetic insight could not come at a single leap , but must rather evolve through successive 1 Symposium . Section ...
... objects preparatory to an under- standing of the supreme ideal , 1 so Keats became early con- vinced that poetic power and poetic insight could not come at a single leap , but must rather evolve through successive 1 Symposium . Section ...
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abstract Amy Lowell Arthur Lynch artist Bailey Book conception creation critical Cynthia declares detachment divine dream world earth Elgin Marbles Endymion Ernest de Selincourt eternal Eve of St evidence experience expression fact Fall of Hyperion Fanny Brawne Fausset feeling felt Forman genius George and Georgiana Georgiana Keats Grecian Urn happiness Haydon heaven human heart ideal imagination immortal insight instinctive intellect interpretation intuitive Keats's aesthetic Keats's idea Keats's thought King Lear knowledge Lamia letter lines live means Milton misery Mystery nature never Nightingale pain Paradise Lost passage perceived philosophy Plato pleasure poem poet's poetic reality realm reason says seems Selincourt sensation sense sensuous beauty Shakespeare Shelley Sidney Colvin Sleep and Poetry sonnet sorrow soul speculation spirit Stood Tip-Toe suggests theory things thou tion true truth understanding universe vale of Soul-making verse vision whole wisdom words Wordsworth writing written wrote young poet