The Mind of John KeatsOxford University Press, 1926 - 209 стор. |
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Сторінка 6
... limited field , he does . " In one of the two great modes by which poetry interprets , in the faculty of naturalistic interpretation , in what we call natural magic , he ranks with Shakespeare , " Arnold declares . And then he adds ...
... limited field , he does . " In one of the two great modes by which poetry interprets , in the faculty of naturalistic interpretation , in what we call natural magic , he ranks with Shakespeare , " Arnold declares . And then he adds ...
Сторінка 11
... limited , and the scope of her investigation too confined for entirely satisfactory results . To her , Keats seems too pre- occupied with one special form of truth to be deeply con- cerned with any of the other types . In his eager ...
... limited , and the scope of her investigation too confined for entirely satisfactory results . To her , Keats seems too pre- occupied with one special form of truth to be deeply con- cerned with any of the other types . In his eager ...
Сторінка 46
... limited sense only . And emphasis on any of them or all of them , with the eternal laws of human nature subordinated , leads to poetry in its nature inferior . Interest in humanity and a capacity to martyr oneself to , and think into ...
... limited sense only . And emphasis on any of them or all of them , with the eternal laws of human nature subordinated , leads to poetry in its nature inferior . Interest in humanity and a capacity to martyr oneself to , and think into ...
Сторінка 124
... limited . No , " What the imagination seizes as beauty must be truth , whether it existed before or not . " That is , what the imagination constructs for itself as reality is truth . Note the real significance of certain phrases in the ...
... limited . No , " What the imagination seizes as beauty must be truth , whether it existed before or not . " That is , what the imagination constructs for itself as reality is truth . Note the real significance of certain phrases in the ...
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abstract Amy Lowell Arthur Lynch artist Bailey Book conception creation critical Cynthia declares detachment divine dream world earth Elgin Marbles Endymion Ernest de Selincourt eternal Eve of St evidence experience expression fact Fall of Hyperion Fanny Brawne Fausset feeling felt Forman genius George and Georgiana Georgiana Keats Grecian Urn happiness Haydon heaven human heart ideal imagination immortal insight instinctive intellect interpretation intuitive Keats's aesthetic Keats's idea Keats's thought King Lear knowledge Lamia letter lines live means Milton misery Mystery nature never Nightingale pain Paradise Lost passage perceived philosophy Plato pleasure poem poet's poetic reality realm reason says seems Selincourt sensation sense sensuous beauty Shakespeare Shelley Sidney Colvin Sleep and Poetry sonnet sorrow soul speculation spirit Stood Tip-Toe suggests theory things thou tion true truth understanding universe vale of Soul-making verse vision whole wisdom words Wordsworth writing written wrote young poet