 ... of wood, and water, and buildings, leaves not one trace in the memory; historical painting is perpetually false in a variety of ways, in the costume, the grouping, the portraits, and is nothing more than fabulous painting; but a real portrait is truth...  The Monthly Magazine, Volume 5 - Сторінка 3571798 - 552 стор.Повний перегляд - Докладніше про цю книгу
 | 1798 - 576 стор.
...Call it fabulous-pain;ing, and I have no objection. — But a real portrait we know is truth iti'elf : and it calls up fo many collateral ideas, as to fill...intelligent mind more than any other fpecies. JCLV. AUTHORS IN FLOWER — MYSTERIOUS MOTHER. At Strawberry Hill, i9th Sept. 1784, Mr. Walpole remarked that, at... | |
 | Horace Walpole - 1800 - 302 стор.
...really were. Call it fabulous-painting, and I have no objection.—But a real portrait we -know. is j truth itfelf: and it calls up fo many collateral ideas,...fill an intelligent mind more than any other fpecies. - - . : ,. " Authortt Authors in Flower—M$/leri$us Mother. At Strawberry Hill, ipth Sept. 1784, Mr.... | |
 | Horace Walpole - 1800 - 310 стор.
...poflibly delineate as they really were. Call it fabulous-painting, and I have no objection.— Bu.ta real portrait we know is • truth itfelf: .and it calls up fo many collateral .jdeias, as to fill an intelligent mind more than any other -fpecies. * ' ••- • • f , . Authors... | |
 | Isaac Disraeli - 1807 - 538 стор.
...&c. and is nothing more than fabulous painting; but a real portrait is truth itself; and calls up so many collateral ideas as to fill an intelligent mind more than any other species. Marville justly reprehends the fastidious feelings of those ingenious men who have resisted... | |
 | William Gifford, Sir John Taylor Coleridge, John Gibson Lockhart, Whitwell Elwin, William Macpherson, William Smith, Sir John Murray (IV), Rowland Edmund Prothero (Baron Ernle) - 1828 - 636 стор.
...hardiest of them object to Horace Walpole's dictum, — ' a portrait of real authenticity calls up so many collateral ideas, as to fill an intelligent mind more than any other species of painting ?' Can he dissent from much of the following passage, which occurs in the prospectus... | |
 | Horace Walpole - 1819 - 350 стор.
...painting, and I have no objection.—But a real portrait we know is truth itself: and it calls up so many collateral ideas, as to fill an intelligent mind more than any other T,,, i-riu-ru*.'' species. c •..«-- i,!.uxi bn. WHAT special vanity can overwhelm us with so many... | |
 | 1821 - 464 стор.
...fabulous-painting, and I have no objection. — But a real portrait we know is truth itself : and it calls up so many collateral ideas, as to fill an intelligent mind more than any other species. CCXXVIII. DISSENTING PORTRAITS. WHAT special vanity can overwhelm us with so many portraits... | |
 | Isaac Disraeli - 1824 - 538 стор.
...portraits, and is nothing more than fabulous painting ; but a real portrait is truth itself, and calls up so many collateral ideas as to fill an intelligent mind more than any other species." Marville justly reprehends the fastidious feelings of those ingenious men who have resisted... | |
 | 1828 - 592 стор.
...hardiest of them object to Horace Walpole's dictum, — ' a portrait of real authenticity calls up so many collateral ideas, as to fill an intelligent mind more than any other species of painting ?' Can he dissent from much of the following passage, which occurs in the prospectus... | |
 | Horace Walpole - 1830 - 356 стор.
...painting, and 1 have no objection. — But a real portrait we know is truth itself: and it calls up so many collateral ideas, as to fill an intelligent mind more than any other species. CCXXVIII. DISSENTING PORTRAITS. WHAT special vanity can overwhelm us with so many portraits... | |
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