English Romantic Poets: Modern Essays in CriticismM. H. Abrams Oxford University Press, 11 вер. 1975 р. - 496 стор. This highly acclaimed volume contains thirty essays by such leading literary critics as A.O. Lovejoy, Lionel Trilling, C.S. Lewis, F.R. Leavis, Northrop Frye, Harold Bloom, Geoffrey Hartman, Jonathan Wordsworth, and Jack Stillinger. Covering the major poems by each of the important Romantic poets, the contributors present many significant perspectives in modern criticism--old and new, discursive and explicative, mimetic and rhetorical, literal and mythical, archetypal and phenomenological, pro and con. |
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... Sense of Fact ' 26 — which I take to be ways of expressing a by no means synony- mous pair of psychological antitheses . Typical manifestations of the spiritual essence of Romanticism have been variously conceived to be a passion for ...
... Sense of Fact ' 26 — which I take to be ways of expressing a by no means synony- mous pair of psychological antitheses . Typical manifestations of the spiritual essence of Romanticism have been variously conceived to be a passion for ...
Сторінка 14
... sense of the word which I have indicated ) and was associated with primitivism of some mode or degree . 2. For in this fundamental point this earlier ' Romanticism ' differed essentially from that of the German aesthetic theorists and ...
... sense of the word which I have indicated ) and was associated with primitivism of some mode or degree . 2. For in this fundamental point this earlier ' Romanticism ' differed essentially from that of the German aesthetic theorists and ...
Сторінка 15
... sense which implied an opposition to ' culture , ' to ' art , ' to reflection and self - conscious effort , was neither possible nor desirable for the modern man or the modern artist . The Fruhromantiker learned from Schiller , and ...
... sense which implied an opposition to ' culture , ' to ' art , ' to reflection and self - conscious effort , was neither possible nor desirable for the modern man or the modern artist . The Fruhromantiker learned from Schiller , and ...
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Albion beauty Blake Blake's breath Byron called cantos child Christ Christian Coleridge Coleridge's consciousness context creative critics death divine Don Juan dramatic dream dreamer Dryden earth Eliot emotional English essay evil experience eyes fact feeling Four Zoas Giaour heart heaven human Hyperion idea imagery imagination immortal innocence inspiration John Keats Jupiter Keats Keats's kind Kubla Khan light lines living Lycidas lyric Lyrical Ballads M. H. ABRAMS Madeline Martha Ray means metaphor Milton mind modern moon moral myth nature never pain Paradise Paradise Lost passage passion perhaps poem poet poet's poetic poetry Porphyro Prelude Prometheus reader Romantic Romanticism Satan seems sense Shelley Shelley's song sonnet soul speak spirit stanza suggest symbols T. S. Eliot thee theme things thou thought Tintern Abbey tion truth Urizen verse vision visionary William Wordsworth wind word Wordsworth writing