English Romantic Poets: Modern Essays in CriticismM. H. Abrams Oxford University Press, 11 вер. 1975 р. - 496 стор. This highly acclaimed volume contains thirty essays by such leading literary critics as A.O. Lovejoy, Lionel Trilling, C.S. Lewis, F.R. Leavis, Northrop Frye, Harold Bloom, Geoffrey Hartman, Jonathan Wordsworth, and Jack Stillinger. Covering the major poems by each of the important Romantic poets, the contributors present many significant perspectives in modern criticism--old and new, discursive and explicative, mimetic and rhetorical, literal and mythical, archetypal and phenomenological, pro and con. |
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... mind tends to be affected with an in- feriority - complex , une impression d'incompletude , de solitude morale , et presque d'angoisse ' ; 23 from other passages of the same writer we learn that Romanticism is the ' imperialistic ' mood ...
... mind tends to be affected with an in- feriority - complex , une impression d'incompletude , de solitude morale , et presque d'angoisse ' ; 23 from other passages of the same writer we learn that Romanticism is the ' imperialistic ' mood ...
Сторінка 8
... mind is not solely or chiefly a division upon lines of nationality or language . What is needed is that any study of the subject should begin with a recognition of a prima - facie plurality of Romanticisms , of possibly quite distinct ...
... mind is not solely or chiefly a division upon lines of nationality or language . What is needed is that any study of the subject should begin with a recognition of a prima - facie plurality of Romanticisms , of possibly quite distinct ...
Сторінка 17
... mind introduced by Christianity was distinguished by a certain in- satiability ; it aimed at infinite objectives and was incapable of lasting satisfaction with any goods actually reached . It became a favorite plati- tude to say that ...
... mind introduced by Christianity was distinguished by a certain in- satiability ; it aimed at infinite objectives and was incapable of lasting satisfaction with any goods actually reached . It became a favorite plati- tude to say that ...
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Albion beauty Blake Blake's breath Byron called cantos child Christ Christian Coleridge Coleridge's consciousness context creative critics death divine Don Juan dramatic dream dreamer Dryden earth Eliot emotional English essay evil experience eyes fact feeling Four Zoas Giaour heart heaven human Hyperion idea imagery imagination immortal innocence inspiration John Keats Jupiter Keats Keats's kind Kubla Khan light lines living Lycidas lyric Lyrical Ballads M. H. ABRAMS Madeline Martha Ray means metaphor Milton mind modern moon moral myth nature never pain Paradise Paradise Lost passage passion perhaps poem poet poet's poetic poetry Porphyro Prelude Prometheus reader Romantic Romanticism Satan seems sense Shelley Shelley's song sonnet soul speak spirit stanza suggest symbols T. S. Eliot thee theme things thou thought Tintern Abbey tion truth Urizen verse vision visionary William Wordsworth wind word Wordsworth writing