Thackeray’s Cultural Frame of Reference: Allusion in The NewcomesSpringer, 18 черв. 1991 р. - 194 стор. This study of "The Newcomes" explores the cultural density found within the novel and reveals how Thackeray exploited allusion in order to present an archetypal and cyclical vision of life, questioning the status and value of fictions and blurring distinctions between history and fiction. |
Зміст
The Art World | 87 |
History and India | 106 |
France of the Citizen King | 120 |
London and the Significance of Topography | 134 |
Newspapers | 159 |
Notes | 172 |
| 185 | |
Інші видання - Показати все
Thackeray's Cultural Frame of Reference: Allusion in The Newcomes Rowland McMaster Обмежений попередній перегляд - 1991 |
Thackeray's Cultural Frame of Reference: Allusion in The Newcomes R. McMaster Обмежений попередній перегляд - 1991 |
Thackeray's Cultural Frame of Reference: Allusion in the Newcomes Rowland McMaster Перегляд фрагмента - 1991 |
Загальні терміни та фрази
allusion Arabian Nights artifice artists Baden Barnes Barnes's Battle of Assaye Bayham Binnie Bluebeard British Bundelcund Bank Cabasse Cave of Harmony chapter characters Charles Honeyman Clapham Clara classical Clive and Ethel Colonel contemporary cultural daughter dinner Don Quixote Duchesse d'Ivry eighteenth-century English fables fairy fashionable Fiction Florac Fra Diavolo Fred Bayham French Gandish Greek headletter historical painting Hobson Horace Ibid Indian intertext Jack Belsize James Juliet McMaster July Revolution Kew's Lady Kew literature little Rosey London Lord Farintosh Lord Kew marriage market married moral motif names narrative narrator Newcome's novel novelists opera painter parody Pendennis play popular portrait Prince Queen quotation readers readership Rebecca and Rowena reference Ridley Robert Colby romance Rosey says scene Scott Sherrick sketch social society songs story Street suggest Thackeray Thackeray's Canvass tion Tom Jones University Press Vanity Fair Victorian vols Warrington writing young