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hot liquor into cups? Was she ever a fairy? She is as fat as a hippopotamus now. He is sitting on a divan by the fire. He has a paper on his knees. Read the name of the paper. It is the Superfine Review. It inclines to think that Mr. Dickens is not a true gentleman, that Mr. Thackeray is not a true gentleman, and that when the one is pert and the other is arch, we, the gentlemen of the Superfine Review, think, and think rightly, that we have some cause to be indignant. The great cause why modern humor and modern sentimentalism repel us, is that they are unwarrantably familiar. Now, Mr. Sterne, the Superfine Reviewer thinks, was a true sentimentalist, because he was above all things a true gentleman." The flattering inference is obvious: let us be thankful for having an elegant moralist watching over us, and learn, if not too old, to imitate his highbred politeness and catch his unobtrusive grace. If we are unwarrantably familiar, we know who is not. If we repel by pertness, we know who never does. If our language offends, we know whose is always modest. O pity! The vision has disappeared off the silver, the images of youth and the past are vanishing away! We who have lived before railways were made, belong to another world. In how many hours could the Prince of Wales drive from Brighton to London, with a light carriage built expressly, and relays of horses longing to gallop the next stage? Do you remember Sir Somebody, the coachman of the Age, who took our half-crown so affably? It was only yesterday; but what a gulf between now and then! Then was the old world. Stage coaches, more or less swift, ridinghorses, pack-horses, highwaymen, knights in armor, Norman invaders, Roman legions, Druids, Ancient Britons painted blue, and so forth-all these belong to the old period. I will concede a halt in the midst of it, and allow that gunpowder and printing tended to modernize the world. But your railroad starts the new era, and we of a certain age belong to the new time and the old one. We are of the time of chivalry as well as the Black Prince or Sir Walter Manny. We are of the age of steam. We have stepped out of the old world on to Brunel's" vast deck, and across the waters ingens patet tellus. Towards what new continent are we wending? to what new laws, new manners, new politics, vast new expanses of liberties unknown as yet, or only surmised? I used to know a man who had invented a flying-machine. "Sir," he would say, "give me but five hundred pounds, and I will make it. It is so simple of construction that I tremble daily lest some other person should light upon and patent my discovery." Perhaps faith was want

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ing; perhaps the five hundred pounds. He is dead, and somebody else must make the flying-machine. But that will only be a step forward on the journey already begun since we quitted the old world. There it lies on the other side of yonder embankments. You young folks have never seen it ; and Waterloo is to you no more than Agincourt, and George IV. than Sardanapalus. We elderly people have lived in that præ-railroad world, which has passed into limbo and vanished from under us. I tell you it was firm under our feet once, and not long ago. They have raised those railroad embankments up, and shut off the old world that was behind them. Climb up that bank on which the irons are laid, and look to the other side-it is gone. There is no other side. Try and catch yesterday. Where is it? Here is a Times newspaper, dated Monday 26th, and this is Tuesday 27th. Suppose you deny there was such a day as yesterday?

We who lived before railways, and survive out of the ancient world, are like Father Noah and his family out of the ark. The children will gather round and say to us patriarchs, "Tell us, grandpapa, about the old world." And we shall mumble our old stories; and we shall drop off one by one; and there will be fewer and fewer of us, and these very old and feeble. There will be but ten præ-railroadites left: then three-then two-then one-then o! If the hippopotamus had the least sensibility (of which I cannot trace any signs either in his hide or his face); I think he would go. down to the bottom of his tank, and never come up again. Does he not see that he belongs to bygone ages, and that his great hulking barrel of a body is out of place in these times? What has he in common with the brisk young life surrounding him? In the watches of the night, when the keepers are asleep, when the birds are on one leg, when even the little armadillo is quiet, and the monkeys have ceased their chatter,-he, I mean the hippopotamus, and the elephant, and the long-necked giraffe, perhaps may lay their heads together and have a colloquy about the great silent antediluvian world which they remember, where mighty monsters floundered through the ooze, crocodiles basked on the banks, and dragons darted out of the caves and waters before men were made to slay them. We who lived before railways are antediluvians-we must pass away. We are growing scarcer every day; and old-old-very old relicts of the times when George was still fighting the Dragon.

Not long since, a company of horse-riders paid a visit to our watering-place. We went to see them, and I bethought

me that young Walter Juvenis, who was in the place, might like also to witness the performance. A pantomime is not always amusing to persons who have attained a certain age; but a boy at a pantomime is always amused and amusing, and to see his pleasure is good for most hypochondriacs.

We sent to Walter's mother, requesting that he might join us, and the kind lady replied that the boy had already been at the morning performance of the equestrians, but was most eager to go in the evening likewise. And go he did; and laughed at all Mr. Merryman's remarks, though he remembered them with remarkable accuracy and insisted upon waiting to the very end of the fun, and was only induced to retire just before its conclusion by representations that the ladies of the party would be incommoded if they were to wait and undergo the rush and trample of the crowd round about. When this fact was pointed out to him, he yielded at once, though with a heavy heart, his eyes looking longingly towards the ring as we retreated out of the booth. We were scarcely clear of the place, when we heard "God save the Queen," played by the equestrian band, the signal that all was over. Our companion entertained us with scraps of the dialogue on our way home—’ precious crumbs of wit which he had brought away from that feast. He laughed over them again as we walked under the stars. He has them now, and takes them out of the pocket of his memory, and crunches a bit, and relishes it with a sentimental tenderness, too, for he is, no doubt, back at school by this time; the holidays are over; and Doctor Birch's young friends have reassembled.

Queer jokes, which caused a thousand simple mouths to grin! As the jaded Merryman uttered them to the old gentleman with the whip, some of the old folks in the audience, I dare say, indulged in reflections of their own. There was one joke-I utterly forget it—but it began with Merryman saying what he had for dinner. He had mutton for dinner, at one o'clock, after which "he had to come to business." And then came the point. Walter Juvenis, Esq., Rev. Doctor Birch's, Market Rodborough, if you read this, will you please send me a line, and let me know what was the joke Mr. Merryman made about having his dinner? You remember well enough. But do I want to know? Suppose a boy takes a favorite, long-cherished lump of cake out of his pocket, and offer you a bite? Merci! The fact is I don't care much about knowing that joke of Mr. Merryman's.

But whilst he was talking about his dinner, and his mutton,

and his landlord, and his business, I felt a great interest about Mr. M. in private life-about his wife, lodgings, earnings, and general history, and I dare say was forming a picture of those in my mind:wife cooking the mutton; children waiting for it; Merryman in his plain clothes, and so forth; during which contemplation the joke was uttered and laughed at, and Mr. M., resuming his professional duties, was tumbling over head and heels. Do not suppose I am going sicut est mos, to indulge in moralities about buffoons, paint, motley, and mountebanking. Nay, Prime Ministers rehearse their jokes; Opposition leaders prepare and polish them; Tabernacle preachers must arrange them in their minds before they utter them. All I mean is, that I would like to know any one of these performers thoroughly and out of his uniform: that preacher, and why in his travels this and that points truck him; wherein lies his power of pathos, humor, eloquence ;-that Minister of State, and what moves him, and how his private heart is working;-I would only say that, at a certain time of life certain things cease to interest : but about some things when we cease to care, what will be the use of life, sight, hearing? Poems are written, and we cease to admire. Lady Jones invites us, and we yawn; she ceases to invite us, and we are resigned. The last time I saw a ballet at the opera-oh! it is many years ago-I fell asleep in the stalls, wagging my head in insane dreams, and I hope affording amusement to the company, while the feet of five hundred nymphs were cutting flicflacs on the stage at a few paces' distance. Ah, I remember a different state of things! Credite posteri. To see those nymphs-gracious powers, how beautiful they were! That leering, painted, shrivelled, thin-armed, thickankled old thing, cutting dreary capers, coming thumping down on her board out of time-that an opera-dancer? Pooh! My dear Walter, the great difference between my time and yours, who will enter life some two or three years hence, is that now the dancing women and singing women are ludicrously old, out of time, and out of tune; the paint is so visible, and the dinge and wrinkles of their wretched old cotton stockings, that I am surprised how anybody can like to look at them. And as for laughing at me for falling asleep, I can't understand a man of sense doing otherwise. In my time, à la bonne heure. In the reign of George IV., I give you my honor, all the dancers at the opera were as beautiful as Houris. Even in William IV.'s time, when I think of Duvernay prancing in as the Bayadère,say it was a vision of loveliness such as mortal eyes can't see now-a-days. How well I remember the tune to which she used

I

to appear! Kaled used to say to the Sultan, "My lord, a troop of those dancing and singing gurls called Bayadères approaches," and, to the clash of cymbals, and the thumping of my heart, in she used to dance! There has never been anything like it never. There never will be-I laugh to scorn old people who tell me about your Noblet, your Montessu, your Vestris, your Parisot-pshaw, the senile twaddlers! And the impudence of the young men, with their music and their dancers of to-day! I tell you the women are dreary old creatures. I tell you one air in an opera is just like another, and they send all rational creatures to sleep. Ah, Ronzi de Begnis, thou lovely one! Ah, Caradori, thou smiling angel! Ah, Malibran! Nay, I will come to modern times, and acknowledge that Lablache was a very good singer thirty years ago (though Porto was the boy for me) and then we had Ambrogetti, and Curioni, and Donzelli, a rising young singer.

But what is more certain and lamentable is the decay of stage beauty since the days of George IV. Think of Sontag ! I remember her in Othello and the Donna del Lago in '28. I remember being behind the scenes at the opera (where numbers of us young fellows of fashion used to go), and seeing Sontag let her hair fall down over her shoulder previous to her murder by Donzelli. Young fellows have never seen beauty like that, heard such a voice, seen such hair, such eyes. Don't tell me! A man who has been about town since the reign of George IV., ought he not to know better than you young lads who have seen nothing? The deterioration of women is lamentable; and the conceit of the young fellows more lamentable still, that they won't see this fact, but persist in thinking their time as good as

ours.

Bless me when I was a lad, the stage was covered with angels, who sang, acted, and danced. When I remember the Adelphi, and the actresses there: when I think of Miss Chester, and Miss Love, and Mrs. Serle at Sadler's Wells, and her forty glorious pupils-of the Opera and Noblet, and the exquisite young Taglioni, and Pauline Leroux, and a host more! One much-admired being of those days I confess I never cared for, and that was the chief male dancer-a very important personage then, with a bare neck, bare arms, a tunic, and a hat and feathers, who used to divide the applause with the ladies, and who has now sunk down a trap-door for ever. And this frank admission ought to show that I am not your mere twadding laudator temporis acti--your old fogey who can see no good except in his own time.