The Pleasures of Exile

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University of Michigan Press, 1992 - 232 стор.
In The Pleasures of Exile, as in his other works, George Lamming embraces the intricate issues of colonization and decolonization with a canny combination of playfulness and seriousness, irony and commitment. "[It] is a reciprocal process," Lamming observes, "to be a colonial is to be a man in a certain relation; and this relation is an example of exile."

Through a series of interrelated essays, The Pleasures of Exile explores the cultural politics and relationships created in the crucible of colonization. Drawing on Shakespeare's The Tempest and C. L. R. James's The Black Jacobins, as well as his own fiction and poetry, Lamming deftly locates the reader in a specific intellectual and cultural domain while conjuring a rich and varied spectrum of physical, intellectual, psychological, and cultural responses to colonialism. "My subject," he writes, "is the migration of the West Indian writer, as colonial and exile, from his native kingdom, once inhabited by Caliban, to the tempestuous island of Prospero's and his language. This book is a report on one man's way of seeing."

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In the Beginning
The Occasion for Speaking
Evidence and Example
A Way of Seeing
Conflict and Illusion
A Monster A Child A Slave
Caliban Orders History
Ishmael at Home
The African Presence
Journey to an Explanation
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Про автора (1992)

Born in Carrington Village, Barbados, Lamming taught in Trinidad and Venezuela before going to England in 1950. In England, he worked in a factory and also hosted a book program for the BBC West Indian Service while pursuing his writing. Lamming's works are a panorama of West Indian history with a strong sense of nationalism. In the Castle of My Skin (1953) is at least partially autobiographical in its presentation of the protagonist's growing sense of individuality and his consequent estrangement from the village and folk community. The subsequent exile of this protagonist is told in The Emigrants (1954), his return is the focus in Of Age and Innocence (1958), and the reclamation of his heritage is the major theme in Season of Adventure (1960). His novels focus on the social and economic changes taking place in the Caribbean, and he uses his protagonists as mouthpieces for his own ideas.

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