Berlioz: Volume One: The Making of an Artist, 1803-1832

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University of California Press, 2003 - 672 стор.
This biography of composer Hector Berlioz (1803-1869) describes with unprecedented intimacy, affection, and respect the life of one of France's greatest artists. After long being regarded as an oddity and an eccentric figure, Berlioz is now being accepted into the ranks of the great composers. Based on a wealth of previously unpublished sources, and on a profound understanding of the humanity of his subject, David Cairns's book provides a full account of this extraordinary and powerfully attractive man.

Berlioz, Volume I, previously published only in Britain, is now available to American readers in a revised edition, together with the eagerly awaited, new Volume II. These two volumes together comprise a monumental biographical achievement, sure to stand as the definitive Berlioz biography.

In researching Berlioz's life, Cairns has had access to unpublished family papers, and in Volume I he is able to portray all the people close to Berlioz in his boyhood, and to evoke a detailed picture of their lives in and around La Côte St.-André in the foothills of the French Alps. No artist's achievement connects more directly with early experience than that of Berlioz, whose passionate sensibility began to absorb the material of his art long before he had heard any musical ensemble other than the local town band. Volume I also traces the student years in Paris and Italy and discusses Berlioz's three great love affairs, shedding remarkable light on his later character and development. Volume I ends on the afternoon of December 9, 1832, the day of the concert that launched the composer's career.

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The Green and Golden Plain I
1
Episodes in the Early Life of an Artist
38
Dream Kingdoms
46
Estelle
61
Hector the Musician
66
To Paris
100
Apprentice Composer
116
A Time of Trial
151
Scenes from Faust
294
Burning in the Void
298
In the Steps of the Master
310
The Rebel and the Schoolmen
321
A Vital Consolidation
336
The Fantastic Symphony
352
Camille
376
Revolution and the Prix de Rome
392

First Performance
163
They manage as they can
185
Frustrations of a Dramatist
213
Les francsjuges
226
Gluck was a Romantic
234
Epiphany at the Odéon
242
The Revelation of Beethoven
262
A début that will lead somewhere
270
Second Prize
284
Prospero and Ariel
407
Tempests
434
Return to Life
453
Fruitful Idleness
475
Si je nétais captif
522
Homecoming
544
A Note on the Spelling of Names
559
Acknowledgements
632
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David Cairns was chief music critic of the Sunday Times from 1983 to 1992, having earlier been music critic and arts editor of the Spectator and a writer for the Financial Times and the New Statesman. From 1967 to 1972 he worked for the London branch of Phonogram. He has been Distinguished Visiting Professor at the University of California, Davis, and a visiting scholar at the Getty Center in Santa Monica.

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