Studies of ShakspereG. Routledge, 1868 - 560 стор. |
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Сторінка 13
... two is lost of the original copy , but enough remains to let us see how the plot will end . We learn that Nomides repents of his rejection of Sabia . comedy , if he had any object , would appear CHAP . III . ] 13 ITINERANT PLAYERS .
... two is lost of the original copy , but enough remains to let us see how the plot will end . We learn that Nomides repents of his rejection of Sabia . comedy , if he had any object , would appear CHAP . III . ] 13 ITINERANT PLAYERS .
Сторінка 24
... original publication in 1594 , we may be sure that the author , whoever he was , had not power enough to break through the tram- mels of the early stage . He had not that confidence in the force of natural action and just ...
... original publication in 1594 , we may be sure that the author , whoever he was , had not power enough to break through the tram- mels of the early stage . He had not that confidence in the force of natural action and just ...
Сторінка 29
... original state ; and it is grew so rooted in all mischief , that I had as scarcely necessary for us here to enter more great a delight in wickedness as sundry hath minutely into the question of his dramatic in godliness ; and as much ...
... original state ; and it is grew so rooted in all mischief , that I had as scarcely necessary for us here to enter more great a delight in wickedness as sundry hath minutely into the question of his dramatic in godliness ; and as much ...
Сторінка 35
... original editors had a just regard to the order of events in their arrangement of the Histories , properly so called . But the order of succession in the Comedies and Tragedies Sub- must be considered an arbitrary one . sequent editors ...
... original editors had a just regard to the order of events in their arrangement of the Histories , properly so called . But the order of succession in the Comedies and Tragedies Sub- must be considered an arbitrary one . sequent editors ...
Сторінка 36
... original produc- tion of each play . We attempted only to obtain a general notion of the date of their production in several groups . There would , of course , occur , with reference to each play , some detailed investigation , which ...
... original produc- tion of each play . We attempted only to obtain a general notion of the date of their production in several groups . There would , of course , occur , with reference to each play , some detailed investigation , which ...
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action amongst appears Arden audience beauty believe Brutus Cæsar called character Coleridge comedy Comedy of Errors copy criticism Cymbeline death doth doubt drama Duke edition English exhibit eyes Falstaff father fear Fletcher folio give Hamlet hath heart Henry Henry IV honour John Jonson Julius Cæsar King labour lady Lear live Locrine look lord Love's Love's Labour's Lost Macbeth Malone master Merry Wives mind nature never night noble Noble Kinsmen opinion original Othello passage passion play players poem poet poet's poetical poetry praise Prince principle printed produced quarto Queen racter reader Richard Richard II Romeo and Juliet says scene Shak Shakspere Shakspere's Sonnets soul speak spere spirit stage Steevens story sweet tell thee thine thing thou art thought Timon tion Titus Andronicus tragedy Troilus and Cressida true truth verse words writer written
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Сторінка 478 - Whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks Within his bending sickle's compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. If this be error and upon me proved, I never writ, nor no man ever loved.
Сторінка 235 - Though justice be thy plea, consider this, That, in the course of justice, none of us Should see salvation: we do pray for mercy; And that same prayer doth teach us all to render The deeds of mercy.
Сторінка 490 - Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room, Even in the eyes of all posterity That wear this world out to the ending doom. So till the judgment that yourself arise, You live in this, and dwell in lovers
Сторінка 494 - When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the wat'ry main, Increasing store with loss and loss with store; When I have seen such interchange of state, Or state itself confounded to decay, Ruin hath taught me thus to ruminate, That Time will come and take my love away.
Сторінка 497 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand...
Сторінка 161 - Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope ; but still bear up and steer Right onward.
Сторінка 496 - Give warning to the world that I am fled From this vile world, with vilest worms to dwell : Nay, if you read this line, remember not The hand that writ it ; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe.
Сторінка 103 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...
Сторінка 106 - gainst my fury • Do I take part : the rarer action is In virtue than in vengeance : they being penitent, The sole drift of my purpose doth extend Not a frown further : Go, release them, Ariel ; My charms I'll break, their senses I'll restore, • And they shall be themselves.
Сторінка 470 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's •waste...