The Romantic PoetsHutchinson's University Library, 1953 - 200 стор. |
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Сторінка 13
... Spring is on the face of it a conventional piece of poetizing ; we can see very little of the spring because the Hours , the Zephyrs , Contemplation and the Muse insist on standing in the light . Where we meet a particularly felicitous ...
... Spring is on the face of it a conventional piece of poetizing ; we can see very little of the spring because the Hours , the Zephyrs , Contemplation and the Muse insist on standing in the light . Where we meet a particularly felicitous ...
Сторінка 14
... spring is gone- We frolick , while ' tis May . And here , surely , is what the poem is really about , what Gray really wants to do - to contrast the free and fluent energy of spring with his own solitary and constricted life , so ...
... spring is gone- We frolick , while ' tis May . And here , surely , is what the poem is really about , what Gray really wants to do - to contrast the free and fluent energy of spring with his own solitary and constricted life , so ...
Сторінка 178
... springs from the transience of joy , and the transience of joy is a part of its nature . But the note of the poem is ... spring ? Ay , where are they ? Think not of them , thou hast thy music too . But it is immediately stilled , and the ...
... springs from the transience of joy , and the transience of joy is a part of its nature . But the note of the poem is ... spring ? Ay , where are they ? Think not of them , thou hast thy music too . But it is immediately stilled , and the ...
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actual Aeschylus Alastor Ancient Mariner appears attempt beauty become Berkeley blank verse Byron CALIFORNIA LIBRARY canto Childe Harold Coleridge Coleridge's conscious criticism death Don Juan eighteenth century Elegy emotional Endymion English Excursion experience fancy Fanny Brawne feeling fragment Godwin Gray Gray's happiness heart historical human Hyperion I. A. Richards ibid ideal imagery images imagination intellectual Keats Keats's kind Kubla Khan language later liberal lines literary living Lycidas Lyrical Ballads Mary Shelley Milton mind moral nature never object obscure passages passion perhaps philosophical pleasure poem poet's poetry political preface Prelude Prometheus prose Queen Mab revolution revolutionary Romantic poets seems sense sensuous sentiment Shelley Shelley's society sonnets soul spirit spring stanza style symbol theme things thought Tintern Abbey tion traditional truth UNIVERSITY OF CALIFORNIA verse whole Words Wordsworth Wordsworth and Coleridge Wordsworthian worth's writing written