The Romantic PoetsHutchinson's University Library, 1953 - 200 стор. |
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Сторінка 60
... character - drawing , and the truth to human nature and feeling is of a different kind . Out- wardly the most obvious thing about the poem is that it is part of the mediaevalizing movement that had been going on since the time of Gray ...
... character - drawing , and the truth to human nature and feeling is of a different kind . Out- wardly the most obvious thing about the poem is that it is part of the mediaevalizing movement that had been going on since the time of Gray ...
Сторінка 115
... characters and the scenery are those of the years of fame . Norman Abbey is modelled on Newstead . The tone is satirical ... character , and consigned to oblivion , most of what went into the third canto of Childe Harold , and left the ...
... characters and the scenery are those of the years of fame . Norman Abbey is modelled on Newstead . The tone is satirical ... character , and consigned to oblivion , most of what went into the third canto of Childe Harold , and left the ...
Сторінка 170
... character to which he belongs from the " Words- worthian or egotistical sublime " : its essence is that " it has no self - it is everything and nothing - It has no character - it enjoys light and shade ; it lives in gusto , be it foul ...
... character to which he belongs from the " Words- worthian or egotistical sublime " : its essence is that " it has no self - it is everything and nothing - It has no character - it enjoys light and shade ; it lives in gusto , be it foul ...
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Загальні терміни та фрази
actual Aeschylus Alastor Ancient Mariner appears attempt beauty become Berkeley blank verse Byron CALIFORNIA LIBRARY canto Childe Harold Coleridge Coleridge's conscious criticism death Don Juan eighteenth century Elegy emotional Endymion English Excursion experience fancy Fanny Brawne feeling fragment Godwin Gray Gray's happiness heart historical human Hyperion I. A. Richards ibid ideal imagery images imagination intellectual Keats Keats's kind Kubla Khan language later liberal lines literary living Lycidas Lyrical Ballads Mary Shelley Milton mind moral nature never object obscure passages passion perhaps philosophical pleasure poem poet's poetry political preface Prelude Prometheus prose Queen Mab revolution revolutionary Romantic poets seems sense sensuous sentiment Shelley Shelley's society sonnets soul spirit spring stanza style symbol theme things thought Tintern Abbey tion traditional truth UNIVERSITY OF CALIFORNIA verse whole Words Wordsworth Wordsworth and Coleridge Wordsworthian worth's writing written