 | 1934 - 436 стор.
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 | 1976 - 424 стор.
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 | William Thomson Hastings - 1928 - 438 стор.
...most acutely conscious of his place in time, of his contemporaneity. No poet, no artist of any art, has his complete meaning alone. His significance,...him, for contrast and comparison, among the dead. I mean this as a principle of aesthetic, not merely historical, criticism. The necessity that he shall... | |
 | Clarence Gohdes - 1931 - 540 стор.
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 | Sophia Wadia - 1943 - 560 стор.
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 | Mark Van Doren - 1932 - 692 стор.
[ Відображення вмісту сторінки заборонено ] | |
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No poet, no artist of any sort, has his complete meaning alone. His Significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone. You must set him, for contrast and comparison, among the... 
