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Crown'd Isabel, thro' all her placid life,

The queen of marriage, a most perfect wife.

III.

The mellow'd reflex of a winter moon A clear stream flowing with a muddy one,

Till in its onward current it absorbs With swifter movement and in purer light

The vexed eddies of its wayward brother:

A leaning and upbearing parasite, Clothing the stem, which else had fallen quite,

With cluster'd flower-bells and ambrosial orbs

Of rich fruit-bunches leaning on each other

Shadow forth thee:-the world hath not another

(Tho' all her fairest forms are types of thee,

And thou of God in thy great charity) Of such a finish'd chasten'd purity.

MARIANA.

"Mariana in the moated grange."

Measure for Measure. WITH blackest moss the flower-plots Were thickly crusted, one and all : The rusted nails fell from the knots

That held the pear to the gable-wall. The broken sheds look'd sad and strange:

Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange.

She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were

dried;

She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,

When thickest dark did trance the sky,

She drew her casement-curtain by, And glanced athwart the glooming flats.

She only said, "The night is
dreary,

He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead."

Upon the middle of the night,
Waking she heard the night-fowl

crow :

The cock sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn,

Till cold winds woke the grey-eyed

morn

About the lonely moated grange.

She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"
About a stone-cast from the wall
A sluice with blackened waters
slept,

And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,

All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray.

She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro,

She saw the gusty shadow sway. But when the moon was very low, And wild winds bound within their cell,

The shadow of the poplar fell Upon her bed, across her brow.

She only said," The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the

mouse

Behind the mouldering wainscot shriek'd,

Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors,
Old footsteps trod the upper floors,
Old voices called her from without.

She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

The sparrow's chirrup on the roof, The slow clock ticking, and the sound

Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the
hour

When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then, said she, "I am very dreary,
He will not come," she said;
She wept, "I am aweary, aweary,
O God, that I were dead!"

ΤΟ I.

CLEAR-HEADED friend, whose joyful

scorn,

Edged with sharp laughter, cuts atwain

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II.

Smiling, frowning, evermore,
Thou art perfect in love-lore.
Revealings deep and clear are thine
Of wealthy smiles: but who may know
Whether smile or frown be fleeter?
Whether smile or frown be sweeter,
Who may know?

Frowns perfect-sweet along the brow
Light-glooming over eyes divine,

Like little clouds sun-fringed, are thine,

Ever varying Madeline.

Thy smile and frown are not aloof
From one another,

Each to each is dearest brother;

Hues of the silken sheeny woof
Momently shot into each other.

All the mystery is thine;
Smiling, frowning, evermore,
Thou art perfect in love-lore,
Ever varying Madeline.
III.

A subtle, sudden-flame,
By veering passion fann'd,
About thee breaks and dances;
When I would kiss thy hand,
The flush of anger'd shame

O'erflows thy calmer glances,
And o'er black brows drops down
A sudden-curved frown:

But when I turn away,
Thou, willing me to stay,

Wooest not, nor vainly wranglest;
But, looking fixedly the while,
All my bounding heart entanglest
In a golden-netted smile;
Then in madness and in bliss,
If my lips should dare to kiss
Thy taper fingers amorously,
Again thou blushest angerly;
And o'er black brows drops down
A sudden-curved frown.

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RECOLLECTIONS OF THE

ARABIAN NIGHTS.

WHEN the breeze of a joyful dawn blew free

In the silken sail of infancy,
The tide of time flow'd back with me,
The forward-flowing tide of time;
And many a sheeny summer-morn,
Adown the Tigris I was borne,
By Bagdat's shrines of fretted gold,
High-walled gardens green and old;
Tru Mussulman was I and sworn,
For it was in the golden prime
Of good Haroun Alraschid.
Anight my shallop, rustling thro'
The low and bloomed foliage, drove
The fragrant, glistening deeps, and
clove

The citron-shadows in the blue:
By garden porches on the brim,
The costly doors flung open wide,
Gold glittering thro' lamplight dim,
And broider'd sofas on each side:
In sooth it was a goodly time,
For it was in the golden prime
Of good Haroun Alraschid.
Often, where clear-stemm'd platans
guard

The outlet, did I turn away

The boat-head down a broad canal
From the main river sluiced, where all
The sloping of the moon-lit sward
Was damask-work, and deep inlay
Of braided blooms unmown, which

crept

Adown to where the water slept.
A goodly place, a goodly time,
For it was in the golden prime
Of good Haroun Alraschid.

A motion from the river won
Ridged the smooth level, bearing on
My shallop thro' the star-strown calm,
Until another night in night
I enter'd, from the clearer light,
Imbower'd vaulus of pillar'd palm,
Imprisoning sweets, which, as they
clomb

Heavenward, were stay'd beneath the dome

Of hollow boughs.-A goodly time,
For it was in the golden prime
Of good Haroun Alraschid.

Still onward; and the clear canal
Is rounded to as clear a lake.
From the green rivage many a fall
Of diamond rillets musical,
Thro' little crystal arches low
Down from the central fountain's flow
Fall'n silver-chiming, seem'd to shake
The sparkling flints beneath the prow.
A goodly place, a goodly time,
For it was in the golden prime
Of good Haroun Alraschid.
Above thro' many a bowery turn
A walk with vary-color'd shells

Wander'd engrain'd. On either side
All round about the fragrant marge
From fluted vase, and brazen urn
In order, eastern flowers large,
Some dropping low their crimson bells
Half-closed, and others studded wide
With disks and tiars, fed the time
With odor in the golden prime

Of good Haroun Alraschid.
Far off, and where the lemon grove
In closest coverture upsprung,
The living airs of middle night
Died round the bulbul as he sung;
Not he: but something which pos
sess'd

The darkness of the world, delight,
Life, anguish, death, immortal love,
Ceasing not, mingled, unrepress'd,
Apart from place, withholding time,
But flattering the golden prime
Of good Haroun Alraschid.
Black the garden-bowers and grots
Slumber'd: the solemn palms were
ranged

Above, unwoo'd of summer wind:
A sudden splendor from behind
Flush'd all the leaves with rich gold-
green,

And, flowing rapidly between
Their interspaces, counterchanged
The level lake with diamond-plots
Of dark and bright. A lovely time,
For it was in the golden prime
Of good Haroun Alraschid.
Dark-blue the deep sphere overhead,
Distinct with vivid stars inlaid,
Grew darker from that under-flame :
So, leaping lightly from the boat,
With silver anchor left afloat,
In marvel whence that glory camo
Upon me, as in sleep I sank
In cool soft turf upon the bank,
Entranced with that place and time,
So worthy of the golden prime

Of good Haroun Alraschid.
Thence thro' the garden I was drawn-
A realm of pleasance, many a mound,
And many a shadow-chequer'd lawn
Full of the city's stilly sound,
And deep myrrh-thickets blowing
round

The stately cedar, tamarisks,
Thick rosaries of scented thorn,
Tall orient shrubs, and obelisks
Graven with emblems of the time,
In honor of the golden prime
Of good Haroun Alraschid.
With dazed vision unawares
From the long alley's latticed shade
Emerged, I came upon the great
Pavilion of the Caliphat.

Right to the carven cedarn doors,
Flung inward over spangled floors,
Broad-based flights of marble stairs
Ran up with golden balustrade,
After the fashion of the time,
And humor of the golden prime
Of good Haroun Alraschid,

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