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lowering sky, the rising wind, -- all these | Ch. VI. It is contained in a letter from would excite his apprehension, and induce the Rev. James Pierpont, Pastor of New him to ply a vigorous oar until the dreaded Haven. To this account Mather adds wall was passed. But in the Pictured these words :Rocks there are two features which com- “* Reader, there being yet living so many municate to the scenery a wonderful and credible gentlemen that were eyewitnesses almost unique character. These are, first, of this wonderful thing, I venture to pubthe curious manner in which the cliffs have lish it for a thing as undoubted as 't is been excavated and worn away by the ac- wonderful.” tion of the lake, which, for centuries, has dashed an ocean-like surf against their Page 215. And the Emperor but a Mabase; and, second, the equally curious cho. manner in which large portions of the sur- Macho, in Spanish, signifies a mule. face have been colored by bands of bril. Golosulrina is the feminine form of Golonliant hues.
drino, a swallow, and also a cant name for • It is froin the latter circumstance that a deserter. the name, by which these cliffs are known to the American traveller, is derived ; while Page 217. Oliver Basselin. that applied to them by the French voya- Oliver Basselin, the “ Père joyeux du geurs | Les Portails') is derived from the Vaudeville,” flourished in the fifteenth former, and by far the most striking pecu- century, and gave to his convivial songs liarity.
the name of his native valleys, in which he “The term Pictured Rocks has been in
sang them, Vaux-de-Vire. This name was use for a great length of time; but when it afterwards corrupted into the modern Vau. was first applied, we have been unable to deville. discover. It would seem that the tirst travellers were more impressed with the novel Page 218. Victor Galbraith. and striking distribution of colors on the surface than with the astonishing variety Galbraith was a bugler in a company of
This poem is founded on fact. Victor of form into which the cliffs themselves volunteer cavalry, and was shot in Mexico have been worn.
for some breach of discipline. It is a com"Our voyageurs
many legends to relate of the pranks of the Menni-bojou in balls will kill them unless their names are
mon superstition among soldiers, that no these caverns, and, in answer to our inqui- written on them. The olul proverb says, ries, seemed disposed to fabricate stories,
• Every bullet has its billet.' without end, of the achievements of this Indian deity.”
Page 219. I remember the sea-fight far Page 189. Toward the sun his hands away. were lifted.
This was the engagement between the In this manner, and with such saluta- Enterprise and Boxer, off the harbor of tions, was Father Marquette received by Portland, in which both captains were the Íllinois. See his Voyages et Décori-in. They were buried side by side, in vertes, Section V.
the cemetery on Mountjoy. Page 212.
Pare 222. Santa Filomena.
contains a chapel dedicated lately to Santa The words of St. Augustine are, “De Filomena; over the altar is a picture, by Yitiis nostris scalam nobis facimus, si vitia Sabatelli, representing the Saint as a beauipsa calcamus."
tiful, nymph-like figure, floating down Sermon III. De Ascensione. from heaven, attended by two angels bear
ing the lily, palm, and javelin, and bePage 212. The Phantom Ship.
neath, in the foreground, the sick and A detailed account of this “apparition maimed, who are healed by her intercesof a Ship in the Air” is given by Cotton sion.” — MRS. JAMESON, Sacred and, LeMather in his Magnalia Christi, Book I. I gendary Art, II. 298.
[The titles in small capital letters are those of the principal divisions of the work, those in
Catawba Wine, 221.
Celestial Pilot, The, 17.
Challenge, The, 229.
Challenge of Thor, The, 246.
Charles Sumner, 358.
Child Asleep, The, 20.
CHILDREN OF THE LORD'S SUPPER, THE, 29
Children's Hour, The, 225.
Christmas Bells, 319.
Christmas Carol, A, 140.
Cobbler of Hagenau, The, 277.
Coplas de Manrique, 11.
COURTSHIP OF MILES STANDISH, THE, 191.
Crew of the Long Serpent, The, 257.
Cumberland, The, 226.
Day of Sunshine, 227.
Day is done, The, 87.
Daylight and Moonlight, 216.
Dead, The, 22.
Death of Kwasind, The, 182.
Dedication to the Seaside and the Fireside, 121.
Discoverer of the North Cape, The, 222,
Divina Commedia, 322.
Drinking Song, 89.
EARLIER POEMS, 6.
Einar Tamberskelver, 201.
Elected Knight, The, 29.
Emma and Eginhard, 295.
Emperor's Bird's-Nest, The, 215.
Evening Star, The, 91.
Falcon of Ser Federigo, 237.
Famine, The, 185.
Fata Morgana, 228.
Fiftieth Birthday of Agassiz, 224.
Ladder of St. Augustine, The, 212.
Lady Wentworth, 283.
Landlord's Tales, The, 235, 314.
Legend Beautiful, The, 286.
Legend of Rabbi Ben Levi, The, 242.
Legend of the Crossbill, The, 93.
Light of Stars, The, 3.
Lighthouse, The, 128.
Little Bird in the Air, The, 258.
Love and Friendship, 193.
Lover's Errand, The, 193.
Luck of Edenhall, The, 28.
March of Miles Standish, The, 205.
MASQUE OF PANDORA, THE, 341.
Meeting, The, 229.
Midnight Mass for the Dying Year, 5.
Miles Standish, 191.
MISCELLANEOUS, 36, 78.
Monk of Casal-Maggiore, The, 304,
Monte Cassino, 360.
MORITURI SALUTAMUS, 354.
Mother's Ghost, The, 312.
Musician's Tales, The, 246, 280, 312.
My Lost Youth, 219.
Nameless Grave, A, 367.
Native Land, The, 17.
Norman Baron, The, 80.
Nun of Nidaros, The, 262.
Occultation of Orion, The, 84.
Old Bridge at Florence, The, 368.
Old Clock on the Stairs, The, 89.
Oliver Basselin, 217.
Open Window, The, 132.
Paul Revere's Ride, 235.
Peace-Pipe, The, 142.
Pegasus in Pound, 133.
Phantom Ship, The, 212.
246, 263, 267, 275, 277, 279, 283, 286, 287, 293, Poetic Aphorisms, 93.
Poet's Tales, The, 268, 283, 294.
Prelude to Voices of the Night, 1.
Psalio of Life, A, 2.
Quadroon Girl, The, 43.
Queen Sigrid the Haughty, 248.
Queen Thyri and the Angelica Stalks, 258.
Rain in Summer, 81.
Rainy Day, The, 37.
Raud the Strong, 254.
Reaper and the Flowers, The, 3.
Rhyme of Sir Christopher, The, 314.
Ropewalk, The, 220.
Saga of King Olaf, The, 246.
TALES OF A WAYSIDE Ixx.
PART FIRST, 232.
PART THIRD, 292,
Victor Galbraith, 218.