Fairies in Nineteenth-Century Art and Literature

Передняя обложка
Cambridge University Press, 27 сент. 2001 г. - Всего страниц: 235
Although fairies are now banished to the realm of childhood, these diminutive figures were central to the work of many Victorian painters, novelists, poets and even scientists. It would be no exaggeration to say that the Victorians were obsessed with fairies: yet this obsession has hitherto received little scholarly attention. Nicola Bown reminds us of the importance of fairies in Victorian culture. In the figure of the fairy, the Victorians crystallized contemporary anxieties about the effects of industrialization, the remoteness of the past, the value of culture and the way in which science threatened to undermine religion and spirituality. Above all, the fairy symbolized disenchantment with the irresistible forces of progress and modernity. As these forces stripped the world of its wonder, the Victorians consoled themselves by dreaming of a place and a people suffused with the enchantment that was disappearing from their own lives.
 

Отзывы - Написать отзыв

Не удалось найти ни одного отзыва.

Содержание

Fancies of Fairies and spirits and nonsense
12
Queen Mab among the steam engines
39
A few fragments of fairyology shewing
98
A broken heart and a pocket full of ashes
163

Другие издания - Просмотреть все

Часто встречающиеся слова и выражения

Ссылки на эту книгу

Fantasy Fiction: An Introduction
Lucie Armitt
Ограниченный просмотр - 2005
Fairy Lore: A Handbook
D. L. Ashliman
Недоступно для просмотра - 2006
Все результаты Поиска книг Google »

Об авторе (2001)

Nicola Bown is a lecturer in the Department of English at Birkbeck College, University of London. She has published articles in Textual Practice, Women: A Cultural Review, and the Journal of Victorian Culture, and worked for the Royal Academy on their Victorian Fairy Paintings show. This is her first book.

Библиографические данные