Two Spanish Masterpieces: The Book of Good Love, and The Celestina

action actually adventures amorous appears Arabic artistic autobiography beautiful beginning Book Calisto called cause Celestina century characters Christian comedy comparable Convent-trotter convention critics daughter death delightful detailed dialogue didactic direct drama episode example fables fact father Fernando de Rojas frame-story girl give hand honor imagination individual Italy Jews Juan Ruiz Lady Lady Sloe later Latin learned less lines literary literature lives lovers lyrical master meaning medieval Melibea moral nature novel old woman once original Pamphilus Pármeno passage passion Plautus play Pleberio plot poem poet present reader reality reason Rojas Roman Ruiz's scene Sempronio servants share shows situations songs Spain Spanish stage stanzas theater tion Tragicomedy traits translation turn verse woman women young