Rousseau and RomanticismTransaction Publishers - 426 стор. |
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Результати 1-5 із 65
Сторінка vii
... Romantic Morality: The Real 187 VI. Romantic Love 220 VII. Romantic Irony 240 VIII. Romanticism and Nature 268 IX. Romantic Melancholy 306 X. The Present Outlook 353 Appendix- Chinese Primitivism 395 Bibliography 399 Index 421.
... Romantic Morality: The Real 187 VI. Romantic Love 220 VII. Romantic Irony 240 VIII. Romanticism and Nature 268 IX. Romantic Melancholy 306 X. The Present Outlook 353 Appendix- Chinese Primitivism 395 Bibliography 399 Index 421.
Сторінка xx
... comprehensively with Rousseau or to present a "rounded estimate" of his writing. Neither does he claim to assess romanticism as a whole. He writes primarily about features that he deems problematic ROUSSEAU AND ROMANTICISM.
... comprehensively with Rousseau or to present a "rounded estimate" of his writing. Neither does he claim to assess romanticism as a whole. He writes primarily about features that he deems problematic ROUSSEAU AND ROMANTICISM.
Сторінка xxiii
... present in Rousseau and more generally in the romantic movement. Poets, painters, composers, and others representing that kind of vision are playing a leading role in reorienting Western life and sensibility. Imagination that more or ...
... present in Rousseau and more generally in the romantic movement. Poets, painters, composers, and others representing that kind of vision are playing a leading role in reorienting Western life and sensibility. Imagination that more or ...
Сторінка xxiv
... present as liberating and elevating visions of life that are in actuality insidious evasions of all real moral responsibility. According to Rousseau humanity is by nature good. There is within the human self no chronic propensity for ...
... present as liberating and elevating visions of life that are in actuality insidious evasions of all real moral responsibility. According to Rousseau humanity is by nature good. There is within the human self no chronic propensity for ...
Сторінка xxv
... show that moral irresponsibility derives much of its appeal from the fact that it can present itself in aesthetically appealing dress. For Babbitt the field of aesthetic creativity covers a wide TRANSACTION INTRODUCTION xxv.
... show that moral irresponsibility derives much of its appeal from the fact that it can present itself in aesthetically appealing dress. For Babbitt the field of aesthetic creativity covers a wide TRANSACTION INTRODUCTION xxv.
Зміст
ix | |
Original Introduction | lxix |
The Terms Classic and Romantic | 13 |
Romantic Genius | 32 |
ni Romantic Imagination | 70 |
The Ideal | 114 |
Romantic Irony | 240 |
Romanticism and Nature | 268 |
Romantic Melancholy | 306 |
Appendix | 395 |
Index | 421 |
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Загальні терміни та фрази
according actual aesthetic already appears Aristotle Babbitt beautiful become centre century character Christian civilization classical convention critical deal decorum desire distinction doctrine dream early element emotional especially ethical example experience expression extreme fact feeling follow French genius give Greek happiness heart higher human humanistic idea ideal illusion imagination imitation individual infinite inner insight intellectual intuition kind least less literature live look man's meaning merely moral movement naturalistic nature never once one's opposition original outer particular passage past perception perhaps person philosophy poetry positive practice present problem pure reality reason relation religion religious result romantic romanticism romanticist Rousseau Rousseauist says seek seems sense side society soul spirit tends term things tion traditional true truth turn understand universal virtue whole wish writing
Популярні уривки
Сторінка 329 - Cambridge he could look out on The antechapel where the statue stood Of Newton with his prism and silent face, The marble index of a mind for ever Voyaging through strange seas of thought alone. (Prelude
Сторінка 259 - Prune thou thy words, The thoughts control That o'er thee swell and throng. They will condense within the soul And change to purpose strong. But he who lets his feelings run In soft, luxurious flow, Shrinks when hard service must be done And faints at every
Сторінка 185 - criticisms of the sober hour. Sobriety diminishes, discriminates and says no; drunkenness expands, unites, and says yes. It is, in fact, the great exciter of the Yes function in man. It brings its votary from the chill periphery of things to the radiant core. It makes him for the moment one with truth.
Сторінка 317 - 1 This is the thought of Keats's Ode to Melancholy: Ay, in the very temple of Delight Veil'd Melancholy has her sovran shrine, Though seen of none save him whose strenuous tongue Can burst Joy's grape against his palate fine.
Сторінка 193 - So that in the first place, I put for a general inclination of all mankind, a perpetual and restless desire of Power after power, that ceaseth only in Death.
Сторінка 38 - said to be of a vegetable nature; it rises spontaneously from the vital root of genius; it grows, it is not made; imitations are often a sort of manufacture, wrought up by those mechanics, art and labor, out of preexistent materials not their own.
Сторінка 203 - T was then great Marlbro's mighty soul was proved, That, in the shock of changing hosts unmoved, Amidst confusion, horror, and despair, Examin'd all the dreadful scenes of war; In peaceful thought the field of death survey'd.
Сторінка 281 - I live not in myself, but I become Portion of that around me; and to me High mountains are a feeling, but the hum Of human cities torture.
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