Programme, Томи 1911 – 1912The Orchestra, 1911 |
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Сторінка 28
... melody , enters and is developed by strings and wood - wind . The second theme , equally blithe , is in G major , and the impressive initial figure of the full orchestra at the beginning of the movement , now given out by the strings ...
... melody , enters and is developed by strings and wood - wind . The second theme , equally blithe , is in G major , and the impressive initial figure of the full orchestra at the beginning of the movement , now given out by the strings ...
Сторінка 47
... melody for solo viola d'amore ( or viola or violin ) is accompanied by a guitar - like figure . VI . Burlesca : Con molto brio , D major , 2-4 . The movement opens with a short and riotous theme . In a contrasting section a second theme ...
... melody for solo viola d'amore ( or viola or violin ) is accompanied by a guitar - like figure . VI . Burlesca : Con molto brio , D major , 2-4 . The movement opens with a short and riotous theme . In a contrasting section a second theme ...
Сторінка 82
... melody is the basic material of the scherzo . The trio in E - flat major includes hunting- calls by the horns , which are interrupted by passages in wood - wind instruments or strings . Finale : Allegro molto , E - flat major , 2-4 . A ...
... melody is the basic material of the scherzo . The trio in E - flat major includes hunting- calls by the horns , which are interrupted by passages in wood - wind instruments or strings . Finale : Allegro molto , E - flat major , 2-4 . A ...
Сторінка 84
... melody which is to come is given out , as though it were an independent theme . The first two variations in the strings are contrapuntal . In the third the tuneful second theme is in the wood - wind against runs in the first violins ...
... melody which is to come is given out , as though it were an independent theme . The first two variations in the strings are contrapuntal . In the third the tuneful second theme is in the wood - wind against runs in the first violins ...
Сторінка 96
... melody in her heart . I have never yet heard Schubert's beautiful tone - poem - the B - minor symphony- without being put in mind of the salt - flavored breeze , the splendid underlying pulsation of its waves , and the freedom and ...
... melody in her heart . I have never yet heard Schubert's beautiful tone - poem - the B - minor symphony- without being put in mind of the salt - flavored breeze , the splendid underlying pulsation of its waves , and the freedom and ...
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Загальні терміни та фрази
2.30 o'clock SATURDAY Adagio Allegro Andante April artistic B-flat Back Bay Balakireff Baldwin Piano bass bassoons beautiful Beethoven Berlin Berlioz Boston Symphony Orchestra BOYLSTON ST BOYLSTON STREET Brahms Bruckner Bülow C. A. ELLIS cellos Chickering chief theme Chopin clarinets composer conductor dance Debussy December Dresses English horn February flutes French Furs G major HAIR Huntington Avenue instruments Italian Strings January kettledrums Leipsic LEWANDOS libretto Liszt March Massachusetts Avenue MAX FIEDLER melody MILLINERY minor Miss movement Mozart musician November oboes October opera overture Oxford Pachmann Paris performance pianist pianoforte played programme published Quartet RECITAL Rehearsal and Concert Room says Scherzo Schumann score second theme singing solo Sonata songs STREET BOSTON style SUITS symphonic poem SYMPHONY HALL Temple Place Theatre THIRTY-FIRST SEASON Tickets tone TREMONT STREET trombones trumpets Tschaikowsky Vienna VIOLAS violins violoncello voice Wagner Waists Washington St wood-wind wrote York
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Сторінка 1438 - Yet Ah, that Spring should vanish with the Rose ! That Youth's sweet-scented manuscript should close! The Nightingale that in the branches sang, Ah whence, and whither flown again, who knows!
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Сторінка 1524 - His cheeks are as a bed of spices, as sweet flowers: his lips like lilies, dropping sweet smelling myrrh. His hands are as gold rings set with the beryl: his belly is as bright ivory overlaid with sapphires. His legs are as pillars of marble, set upon sockets of fine gold: his countenance is as Lebanon, excellent as the cedars.
Сторінка 240 - Her dress, on that day, was of a most noble colour, a subdued and goodly crimson, girdled and adorned in such sort as best suited with 31 her very tender age. At that moment, I say most truly that the spirit of life, which hath its dwelling in the secretest chamber of the heart, began to tremble so violently that the least pulses of my body shook therewith ; and in trembling it said these words: Ecce deus fortior me, qui veniens dominabitur mihi (Here is a deity stronger than I; who, coming, shall...
Сторінка 1509 - For Herod feared John, knowing that he was a just man and an holy, and observed him; and when he heard him, he did many things,
Сторінка 134 - Per me si va nella città dolente; per me si va nell' eterno dolore; per me si va tra la perduta gente.
Сторінка 1444 - TELL me now in what hidden way is Lady Flora the lovely Roman ? Where's Hipparchia, and where is Thais, Neither of them the fairer woman? Where is Echo, beheld of no man, Only heard on river and mere, — She whose beauty was more than human? But where are the snows of yester-year?
Сторінка 1509 - And when the daughter of the said Herodias came in, and danced, and pleased Herod and them that sat with him, the king said unto the damsel, Ask of me whatsoever thou wilt, and I will give it thee.
Сторінка 1436 - They say the Lion and the Lizard keep The Courts where Jamshyd gloried and drank deep: And Bahrain, that great Hunter — the Wild Ass Stamps o'er his Head, but cannot break his Sleep.
Сторінка 95 - This music crept by me upon the waters, Allaying both their fury and my passion With its sweet air : thence I have follow'd it, Or it hath drawn me rather.