A Study of the Prologue and Epilogue in English Literature from Shakespeare to DrydenK. Paul, Trench, 1884 - 187 стор. |
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Сторінка 3
... characters in the play . But it was not till the time of Plautus and Terence that the Prologue was formally divorced from the body of the drama , and that an independent address of the poet to the audience pre- ceded the action of the ...
... characters in the play . But it was not till the time of Plautus and Terence that the Prologue was formally divorced from the body of the drama , and that an independent address of the poet to the audience pre- ceded the action of the ...
Сторінка 7
... character in the play appears and speaks lines calculated to dismiss the audience with unruffled temperament and assuaged emotions ; we seem to discover a relic of the sententious sapience of the Chorus of Greek tragedy . But in those ...
... character in the play appears and speaks lines calculated to dismiss the audience with unruffled temperament and assuaged emotions ; we seem to discover a relic of the sententious sapience of the Chorus of Greek tragedy . But in those ...
Сторінка 8
... character , on the other hand , still survives in the well- known rhyming " tag , " as well as in the epilogue . The ... characters on the stage at the end of the last act , unite in saying of the “ refined sprights " among the audience ...
... character , on the other hand , still survives in the well- known rhyming " tag , " as well as in the epilogue . The ... characters on the stage at the end of the last act , unite in saying of the “ refined sprights " among the audience ...
Сторінка 9
... characters of the drama ) with a " plaudite , " as well as in the epilogues to Massinger's Parliament of Love , and to several of Ben Jonson's plays , this mode of winding up is adopted : thus at the end of The Fox we read ( for stage ...
... characters of the drama ) with a " plaudite , " as well as in the epilogues to Massinger's Parliament of Love , and to several of Ben Jonson's plays , this mode of winding up is adopted : thus at the end of The Fox we read ( for stage ...
Сторінка 10
... characters together ) . And a great number of Massinger's and Ford's epilogues are , like those of Ben Jonson , only from six to nine lines long , thereby showing the transi- tion - stage from the " plaudite " speech to the epilogue ...
... characters together ) . And a great number of Massinger's and Ford's epilogues are , like those of Ben Jonson , only from six to nine lines long , thereby showing the transi- tion - stage from the " plaudite " speech to the epilogue ...
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actors allusion appear attack audience Bayes Ben Jonson Betterton Bracegirdle called characters Charles Cheaper Edition Chorus Colley Cibber Collier comedy couplets court critics curtain Cynthia's Revels delivered Demy 8vo drama dramatist Dryden Duke's Dumb Show Eastward Hoe egad English Essay Fcap Fletcher's Fourth Edition Frontispiece George Peele gilt honour Humour Induction Jasper Mayne Jeremy Collier Jonson King ladies Large crown 8vo Large post 8vo lines LL.B logue Love Maiden Queen modern Nell Gwynne numerous Illustrations occasion Parchment Library Edition performance period person plaudite Plautus play players playhouse plot Poems poet poet's Portrait Preface prodialogue Prof prologue-speaker prologues and epilogues recantation referred Rehearsal revival rhyming rival says scene Second Edition Sermons Shakespeare Small 8vo Small crown 8vo speak spectators spoken stage directions theatre Third Edition Tom Brown tragedy Translated Troilus and Cressida vellum Verse vols Whig William Sly write written
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