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Mind 1:479.

Art and Psychology. J. Sully.

Murray, J. C. A Handbook of Psychology. Lond.: 1885.

P. 223-235 The Esthetic Ideal, 387–390.

Rauch, F. A. Psychology. N. Y.: 1853.

P. 233-251 Imagination.

Rev. d. D. Mondes. 1 Sept. 1873. Le Sens du Beau chez les Bêtes, le Darwinisme psychologique et la Psychologie comparée. Ch. Lévêque.

15 Août 1881. Le Plaisir du Beau et le Plaisir du Jeu, d'après l'école de l'évolution. M. Guyau.

Rev. Philos. 19:652. Sur l'émotion esthétique. F. Paulhan.

20: IOI. S. Rubinstein. Psychologisch-æsthetische Essays. L. Arreat. [Review.]

Ribot, Th. English Psychology. Trans. N. Y.: 1874.
P. 231-37 Bain's and Spencer's Esthetics.

Rubinstein, S.

berg: 1878.

Psychologisch-æsthetische Essays. Heidel

Sully, Jas. Outlines of Psychology. Lond.: 1884.

P. 316-329 Imagination, 531-552 Esthetic Sentiments.

Thompson, D. G. A System of Psychology. 2 V. Lond.: 1884.

V. I, p. 585-94 Esthetic Interests.

Viehoff, H. Die Poetik auf d. Grundlage d. Erfahrungsseelenlehre. Hrsg. von V. Kiy. Trier: 1888.

P. 3-69 Psychologisch-æsthetische Grundlage der Poetik.

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II. SUBJECT-MATTER OF ÆSTHETIC THEORY.

A. THE AGREEABLE, AND THE BEAUTIFUL; THE SUBLIME, AND THE PATHETIC.

Atlantic 58:716. Pathos in Story.

Blackw. 74: 727.

Real and Ideal Beauty.

Blakey, Rob. History of the Philosophy of Mind. Lond.: 1850.

P. 419-515 Chief metaphysical writers who have treated of the Sublime and
Beautiful.

Blencke, Fr. Die Trennung d. Schönen vom Angenehmen in Kant's Kritik d. æsthetischen Urtheilskraft.

Cambridge Essays 1856:115. The Taste for the Picturesque among the Greeks. E. M. Cope.

Contemp. 37:474.

Greek and Christian Views of Beauty.

R. St. J. Tyrwhitt.

55:828. Orpheus in Rome: Irrelevant Talks on the Use of the Beautiful. V. Lee.

Deutsche Rundschau 56:414. Körperschönheit. F. Merkel.

Ed. R. 140: 168. Canon of Beauty in Greek Art.

Fortn. 15:709.

Beauty and Realism. E. J. Poynter.

49:211. Beauty, Composition, etc., in Art. J. A. Symonds. Gauckler, Ph. Le Beau et son Histoire. Paris: 1873.

J. Spec. Philos. 16: 122.

Beauty, Use, Reason. M. Tuthill.

17:94. The Beautiful. W. H. Kimball.

Köstlin, K. Ueber d. Schönheitsbegriff. Tübingen: 1879. Macm. 16: 441. Symbolism of the Sublime. J. H. Stirling.

Maistre, J. de. Oeuvres Complètes. 9 v. Lyon: 1884.

T.7, p. 306-324 Sur le Beau.

Mind 4:482.

3:324.

Reason and Relations of Beauty. E. Gurney.

The Origin of the Sublime. G. Allen.

4: 301. The Origin of the Sense of Symmetry. G. Allen.

Postgraduate and Wooster Quarterly 2: 177. The Philosophy of the Beautiful. K. Merz.

Rev. d. D. Mondes. I Sept. 1847. Du Beau dans l'Art, d'après M. Töpffer. Th. Gautier.

15 Julliet 1854. Questions sur le Beau. E. Delacroix.

15 Juin 1857. Des Variations du Beau. E. Delacroix. Ruskin, J. The True and the Beautiful in Nature, Art, Morals and Religion. Selections from his Works by Mrs. L. C. Tuthill. N. Y.: 1880.

Seidl. Zur Geschichte d. Erhabenheitsbegriffes seit Kant.

Shedd, W. G. T. Literary Essays. tiful and its Relation to Culture.

True Nature of the Beau-
N. Y.: 1878.

For a fuller examination of the theories of the Agreeable and the Beautiful the
student is referred to the following authorities already cited: P. 13 Plato;
p. 14 Xenophon; p. 16 Blackie, Burke, Coleridge; p. 17 Dallas, Emerson; p. 18
Hume; p. 19 Jeffrey, Kames; p. 20 Jas. Mill; p. 20-21 Ruskin, Spencer; p. 25 Car-
riere; p. 26 von Hartmann, Hegel; p. 27 Herder; p. 28 Kant, Fischer; p. 29–30
Lessing; p. 30 Lotze; p. 31 Schiller; p. 32 Schlegel F. von, Schopenhauer, Ulrici;
p. 33 Wieland, Wundt; p. 36 Cousin, Diderot; p. 37 Hugo, Joubert, Lévêque,
Marmontel; p. 38 Taine; p. 39 Voltaire; p. 41 Conti; Gioberti.

For the Sublime and the Pathetic see p. 16 Burke, Carlyle; p. 19 Kames; p. 20 Jas.
Mill; p. 26 Hegel; p. 27 Herder: p. 28 Kant, Fischer; p. 32 Schopenhauer; p. 35
Boileau-Despréaux; p. 37 Marmontel.

B. THE MYSTERIOUS, THE AWFUL, THE HORRIBLE, ETC.

See p. 11-12 Aristotle; p. 13 Plato; p. 19 Kames; p. 26 von Hartmann; p. 26-27 Hegel; p. 28 Kant; p. 32 Schopenhauer; p. 29-30 Lessing; p. 31 Schiller; p. 35 Corneille; p. 37 Marmontel; p. 38 St. Evremond; p. 39 Voltaire; and, in general, the references on Tragedy.

C. THE INCONGRUOUS, THE LUDICROUS, THE GROTESQUE, ETC.

Belsham, Thos. Elements of the Philosophy of Mind.

P. 200-5 Wit.

Dowden, E. Shakespeare: A Critical Study of his Mind and Lond.: 1875.

Art.

P. 337-377 Humor.

Nuova Ant. 3 S. 11:373. Richter e [l'umorismo tedesco. E. Nencioni.

Philos. Monatshefte 22:449.

Der Begriff des Komischen in

der modernen Esthetik. E. von Hartmann.

Philos. Studien [Wundt] 2:128, 327. Zur Psychologie des

Komischen. E. Kraepelin.

Rev. d. D. Mondes. 1 Sept. 1863.

Risible dans l'Esprit et dans l'Art.

Le Rire, le Comique et le

Ch. Lévêque.

Rev. Philos. 17:584. Le Rire, par L. Philbert. [Review.]

Spielhagen, F. Vermischte Schriften. Leipzig: 1872.

P. 153-172 Der Humor.

Weiss, J. Wit, Humor and Shakespeare. Boston: 1876.

P. 3-71.

Whipple, E. P.

Lectures on Subjects connected with Litera

ture and Life. 5th ed. Boston: 1859.

P. 84-121 Wit and Humor.

Wright, Thos. A History of Caricature and Grotesque in Literature and Art. Lond.: 1875.

For other theories of the Ludicrous, the Grotesque, etc., consult p. 15 Bain; p. 16 Coleridge; p. 17 Dallas, Emerson, Everett; p. 18 Hazlitt, Hume; p. 19 Kames; p. 21 Shaftesbury; p. 29-30 Lessing; p. 32 Schopenhauer; p. 35 Bossuet; p. 37 Marmontel; p. 38 St. Evremond; p. 39 Voltaire; and, in general, the references on Comedy.

III. THE FINE ARTS. [Except Literature.]

A. HISTORIES AND DICTIONARIES OF ART.

I. General.

Agincourt, Seroux d'. History of Art by its Monuments. 2 v. in I. Lond.: 1847.

Bell, N. R. E. (pseud., D'Anvers, N.). Elementary History of Art. Lond.: 1874.

Clement, C. E. Painters, Sculptors, Architects, Engravers and their Works. A Handbook. Illust. 5th ed. Boston:

1879.

De Forrest, J. B.

Fairholt, F. W.,

Illust. Lond.

A Short History of Art. N. Y.

[ed.]. A Dictionary of Terms in Art.

Jameson, Anna. Legends of the Madonna as represented in the Fine Arts. Boston: 1877.

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Legends of the Monastic Orders as represented in the Fine Arts. Boston: 1876.

- Sacred and Legendary Art. 2 V. Boston: 1879.

Lübke, W. Outlines of the History of Art. Trans. and ed. by C. Cook. 2 V. N. Y.: 1878.

and C. von Lützow. Denkmäler der Kunst zur Uebersicht ihres Entwickelungsganges von den ersten Versuchen bis zu den Standpunkten der Gegenwart. 3 v. Stuttgart. Mollet, J. W. An Illustrated Dictionary of Words used in Art and Archæology. Lond. 1883.

Schnaase, K. J. Fd. Geschichte der bildenden Künste.

2e

verb. u. verm. Aufl. Unter Mitwirkung d. Verfassers
bearb. von C. von Lützow. 8 v.
Düsseld. u. Stuttg.:
1866–79.

Spooner, S. A Biographical History of the Fine Arts. 4th ed. 2 V. N. Y.: 1867.

Vasari, G. Lives of the most Eminent Painters, Sculptors and Architects. Trans. by Mrs. J. Foster. 5 V. Lond.: 1850-52.

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