 | Gary Saul Morson, Caryl Emerson - 1990 - 1108 стор.
...active. "Without one's own questions one cannot creatively understand anything other or foreign. . . . Such a dialogic encounter of two cultures does not...own unity and open totality, but they are mutually enriched" (ibid.). In his insistence on one's own questions, Bakhtin is returning to the tenet of his... | |
 | Margaret Himley - 1991 - 241 стор.
...another culture: In the realm of culture, outsideness is a most powerful factor in understanding. It is only in the eyes of another culture that foreign...own unity and open totality, but they are mutually enriched. (Speech Genres, p. 7) These principles, along with the rest of Bakhtin's theory, resonate... | |
 | Iris M. Zavala - 1992 - 264 стор.
...SELF-REPRESENTATION Without one's own questions one cannot creatively understand anything other or foreign. . . . Such a dialogic encounter of two cultures does not...own unity and open totality, but they are mutually enriched. —M. Bakhtin, "Response to a Question from Novy Mir" The Bakhtin Circle and the Dialogical... | |
 | Roger N. Lancaster - 1994 - 370 стор.
...is only in the eyes of another culture that foreign culture reveals itself fully and profoundly. ... A meaning only reveals its depths once it has encountered...own unity and open totality, but they are mutually enriched. — Mikhail Bakhtin, Speech Genres and Other Late Essays Junkyards America has a sort of... | |
 | Herbert Grabes - 1994 - 454 стор.
...depths. Without one's own questions one cannot creatively understand anything other or foreign [...] Such a dialogic encounter of two cultures does not...own unity and open totality, but they are mutually enriched." 9 Mikhail M. Bakhtin, Rabelais and His World, trans. Helene Iswolsky (Cambridge, MA: Massachusetts... | |
 | Michael Macovski - 1994 - 244 стор.
...otherness requisite to dialogic exchange. Working within a cultural framework, Bakhtin suggests that "such a dialogic encounter of two cultures does not...own unity and open totality, but they are mutually enriched" ("Response" 7). Only such unmixed distinction and discreteness can enable the "investigatory... | |
 | Leslie Devereaux, Roger Hillman - 1995 - 384 стор.
...depths. Without one's own questions one cannot creatively understand anything other or foreign. . . . Such a dialogic encounter of two cultures does not...own unity and open totality, but they are mutually enriched.2 My own conclusion from Bakhtin's discussion of creative understanding is that one must be... | |
 | Tom O'Regan - 1996 - 422 стор.
...and reply. The extreme of this position might find its justification in Bakhtin's remark that 'the dialogic encounter of two cultures does not result...own unity and open totality, but they are mutually enriched' (quoted in Stam 1993: 242). Here the two cultures of the cinema indigenous Australian and... | |
 | Michael T. Martin - 1997 - 340 стор.
...semantic depths. Without one's own questions one cannot creatively understand anything other or foreign. Such a dialogic encounter of two cultures does not...own unity and open totality, but they are mutually enriched. (Speech Genres, pp. 6-7) One must be "other" oneself if anything is to be learned about the... | |
 | Meili Steele - 1997 - 170 стор.
...relationship: "Without one's own questions one cannot creatively understand anything other or foreign. . . . Such a dialogic encounter of two cultures does not result in merging or mixing" (7). The global concept that Bakhtin uses to talk about language is heteroglossia, and it produces... | |
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We raise new questions for a foreign culture, ones that it did not raise itself; we seek answers to our own questions in it; and the foreign culture responds to us by revealing to us its new aspects and new semantic depths. Without one's own questions... 
