 | Gary Saul Morson, Caryl Emerson - 1990 - 1108 стор.
...understanding does not renounce itself, its own place in time, its own culture; and it forgets nothing. In order to understand, it is immensely important for...located outside us in space and because they are others. [RQ, p. 7] Outsideness creates the possibility of dialogue, and dialogue helps us understand a culture... | |
 | Michael Macovski - 1994 - 244 стор.
...of such centrally embedded characters as Heathcliff, Kurtz, and the monster. As Bakhtin puts it, In order to understand, it is immensely important for...located outside us in space and because they are others. ("Response" 7) In literary terms, too, it is the auditor's dialogic position that enables one to confront... | |
 | Roger N. Lancaster - 1994 - 370 стор.
...history and struggles until the cycle of colonial power and popular resistance is decided. Life In order to understand, it is immensely important for...located outside us in space and because they are others. In the realm of culture, outsideness is a most powerful factor in understanding. It is only in the... | |
 | Edward Robbins, Edward Cullinan - 1994 - 336 стор.
...person who understands to be located outside the object of his or her creative understanding. . . . Our real exterior can be seen and understood only...are located outside us in space and because they are others.2 On the other hand, the outsider must see and hear the world of the other he or she studies... | |
 | Gregory B. Lee - 1996 - 300 стор.
...outside the object of his or her creative understanding —in time, in space, in culture. For one cannot really see one's own exterior and comprehend it as...are located outside us in space and because they are others'.31 Here we return to a poem written by Duoduo shortly after arriving in Europe. The poem, 'In... | |
 | Barbara Czarniawska-Joerges - 1997 - 243 стор.
...object of his or her creative understanding — in time, in space, in culture. For one cannot ever really see one's own exterior and comprehend it as...outside us in space, and because they are others. (Kelly 1993, 61) Lest my plea be understood as a call for exoticism, it is worth mentioning that the... | |
 | Barbara Czarniawska-Joerges - 1997 - 256 стор.
...object of his or her creative understanding — in time, in space, in culture. For one cannot ever really see one's own exterior and comprehend it as...located outside us in space, and because they are oilers. (Kelly 1993, 61) Lest my plea be understood as a call for exoticism, it is worth mentioning... | |
 | Angela Robbeson, Frank M. Tierney - 1998 - 202 стор.
...creative understanding — in time, in space, in culture. For one cannot even see one's own exterior as a whole, and no mirrors or photographs can help;...located outside us in space and because they are others. (Quoted in Morson and Emerson 55) 11. Scott's poem reads as follows: Brebeuf and his Brethren When... | |
 | Gregory Maertz - 1998 - 280 стор.
...and comprehend it as a whole, and no mirrors or photographs can help; our real exterior can be seen only by other people, because they are located outside us in space, and because they are others.1 If a writer simply empathizes with a foreign cultural tradition, the result is merely some... | |
 | David Smith, Barbara Maria Carvill - 2000 - 260 стор.
...nothing. In order to understand, it is immensely important for the person who understands to be heated outside the object of his or her creative understanding...are located outside us in space and because they are others.28 24. Cf. Joldersma, 1999. 25. For a thorough and convincing critique of the questionable ideal... | |
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In order to understand, it is immensely important for the person who understands to be located outside the object of his or her creative understanding — in time, in space, in culture. For one cannot even really see one's own exterior and comprehend... 
