Sublime Economy: On the intersection of art and economicsJack Amariglio, Joseph W. Childers, Stephen E. Cullenberg Routledge, 25 лист. 2008 р. - 336 стор. Over the last two centuries, artists, critics, philosophers and theorists have contributed significantly to such representations of "the economy" as sublime. It might even be said that much of the emergence of a distinctly "modern" art in the West is inextricably linked to the perception of art’s own autonomy and, therefore, its privileged, mostly critical, gaze at the terrible mixture of wonder and horror of capitalist economic practices and institutions. The premise of this collection is that despite this perceptual sharing, "sublime economy" has yet to be investigated in a purely cross-disciplinary way. Sublime Economy seeks to map this critical territory by exploring the ways diverse concepts of economy and economic value have been culturally constituted and disseminated through modern art and cultural practice. Comprising of 14 individual essays along with an editors’ introduction, Sublime Economy draws together work from some of the leading scholars in the several fields currently exploring the intersection of economic and aesthetic practices and discourses. A pressing issue of this cross-disciplinary conversation is to discern how artists’, writers’, and cultural scholars’ constructions of distinct conceptions of economic value, as pertains to aesthetic objects as well as to more "everyday" objects and relations of mass consumption, have contributed to the ways "value" functions in and across disparate discourses. Thus this book looks at how cultural critics and theorists have put forward working notions of economic value that have regularities and effects similar to those of the "expert" conceptions and discourses about value that have been the preserve of professional economists. |
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... artists, critics,philosophers,and theorists have contributed significantly to representations of “the economy” as sublime. It might even be said that much of the emergence of a distinctly “modern” art in the West is inextricably linked ...
... Artists Rights Society (ARS),New York and courtesy ofTheMuseum ofModern Art,NewYork, NY, U.S.A., image resolution© Digital Image© TheMuseum of Modern Art/Licensed by SCALA/Art Resource, NY. Marcel Duchamp, Tzanck Check©Artists Rights ...
... artistic passage to the sublime may be cut short, obstructed, or attenuated through itssublation into thediscursiveandartistic ... artists find themselvesin “collusion” with capital. That is,the creativeforce ofcapitalism's unceasing ...
... artists and thinkers, and the effects of his work on thinking about the connections betweenaesthetics andthe market,or the “economic.” Goodwin observes that forthe Bloomsburycircle that whichmattered most was whattook placein the ...
... artists, particularly contemporary artists, strategically—sometimes disruptively—and always “imaginatively”takeupthe veryeconomicsof art as their subjectmatter. AsVelthuis points out, suchincursions arenot unique to late twentieth or ...
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Sublime Economy: On the Intersection of Art and Economics Jack Amariglio,Joseph W. Childers,Stephen E. Cullenberg Обмежений попередній перегляд - 2008 |
Sublime Economy: On the Intersection of Art and Economics Jack Amariglio,Joseph W. Childers,Stephen E. Cullenberg Попередній перегляд недоступний - 2010 |
Sublime Economy: On the Intersection of Art and Economics Jack Amariglio Попередній перегляд недоступний - 2009 |