Interculturalism and Resistance in the London Theater, 1660-1800: Identity, Performance, EmpireBucknell University Press, 2000 - 217 стор. By strategic consideration of political and intellectual alliances that the theater inspired and stifled, and through discussions of a wide cross-section of performance practices from the time of Dryden to that of Inchbald, Choudhury demonstrates the power of performativity in a culture in ascendancy. She argues that nationalism, as both active movement and contemplative ideology, cannot be separated from the themes of expansionism that propel the many incentives, principles, and sites of performance. |
Зміст
3 | |
The Italian Incursions and English Opera | 23 |
Palimpsests and the Periphery | 49 |
Colonial Fetishism Imperial Play | 75 |
Female Orientalism | 97 |
Borders Borderlessness and Beyond | 120 |
Epilogue Challenging the Plaudits of the Mimic Stage | 149 |
Notes | 164 |
Selected Bibliography | 195 |
Інші видання - Показати все
Interculturalism and Resistance in the London Theater, 1660 - 1800: Identity ... Mita Choudhury Попередній перегляд недоступний - 2000 |
Загальні терміни та фрази
Aaron Hill actors appear parenthetically appropriation argue audience Aureng-Zebe Beggar's Opera Behn's borders British culture Calcutta century characters Charles circa colonial comedy comic contemporary context critical David Garrick David Mallet difference discourse discussion dramatic Drury Lane Dryden's East India Company eighteenth eighteenth-century British Elizabeth Inchbald English opera European farce Ferriar fiction Folger Folger Shakespeare Library foreign Garrick Gay's gaze gender Greville's Handel Hannah Cowley Hume identity ideology imperial Inchbald's India indigenous instance intercultural Italian opera Itanoko John John Dryden Lady literary London Stage London theater Mallet's Mustapha manuscript masque Messink Mogul Tale Mughal nationalist numbers Orient Oroonoko Orrery Orrery's Ottoman performance play play's political Prince production promptbook resistance reveals Richard Brinsley Sheridan role Royal savage scene School for Scandal Senesino sense sexual Shakespeare Sheridan's slave social Southerne's specifically spectator strategies subversive tion tragedy Turkish University Press vols women
Посилання на книгу
The Cambridge Companion to British Theatre, 1730-1830 Jane Moody,Daniel O'Quinn Попередній перегляд недоступний - 2007 |