The Mind of the Middle Ages, A.D. 200-1500: An Historical SurveyKnopf, 1953 - 552 стор. |
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... tion . Paul shows himself a man of deep feeling and burning convic- tion and a magnificent stylist . There is no evidence that the Epistles were written for publication ; but they so impressed those who received them that they were ...
... tion . Paul shows himself a man of deep feeling and burning convic- tion and a magnificent stylist . There is no evidence that the Epistles were written for publication ; but they so impressed those who received them that they were ...
Сторінка 110
... tion was given by ecclesiastics . Children learned the Bible with some thoroughness ; next to Homer it is the chief source of allusions and quotations in Byzantine literature . In practice , the monastic schools usually confined ...
... tion was given by ecclesiastics . Children learned the Bible with some thoroughness ; next to Homer it is the chief source of allusions and quotations in Byzantine literature . In practice , the monastic schools usually confined ...
Сторінка 381
... tion of sin occupies the poet in hell . In purgatory a slow illumina- tion and deliverance are accomplished . In Paradise , the poet realizes his hope of knowing God . The whole work is held together by the belief ( and this idea is ...
... tion of sin occupies the poet in hell . In purgatory a slow illumina- tion and deliverance are accomplished . In Paradise , the poet realizes his hope of knowing God . The whole work is held together by the belief ( and this idea is ...
Зміст
The Classical Backgrounds of Mediaeval | 3 |
The Jewish and Early Christian Sources | 39 |
Byzantine Civilization | 95 |
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The Mind of the Middle Ages, A.D. 200-1500: An Historical Survey Frederick Binkerd Artz Перегляд фрагмента - 1953 |
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ancient Aquinas Arabic architecture Aristotle Augustine became Boethius Byzantine Cambridge Carolingian Renaissance cathedral Charlemagne Chrétien de Troyes church classical culture Dante divine eleventh century English epic Europe faith fifteenth century fifth century fourteenth century France French G. G. Coulton German Gothic Gothic art Greek human humanists ideas influence Islam Italian Italy Jesus Jewish later Latin Christendom learning literary literature London lyric Mass mediaeval Middle Ages modern monasteries monks moyen âge Muslim mystery religions mysticism Neo-Platonic Oxford pagan painting papacy Paris Petrarch philosophy Plato poem poetry poets political pope prose religion religious Renaissance Roman Romanesque Romanesque art Rome ruler Scholasticism schools sculpture secular soul spirit stories style tenth century Testament theology theory thirteenth century thought tion tradition translated troubadours trouvères tury twelfth century universe University of Paris vaults vernacular verse vols whole writings wrote York