The Mind of the Middle Ages, A.D. 200-1500: An Historical SurveyKnopf, 1953 - 552 стор. |
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Сторінка 120
... Sculpture in the round practically disappeared after the eighth century . The sculpture , like the designs in the mosaics , had a totally unplastic , flat character . It avoided hu- man forms , at first because of Christian dislike of ...
... Sculpture in the round practically disappeared after the eighth century . The sculpture , like the designs in the mosaics , had a totally unplastic , flat character . It avoided hu- man forms , at first because of Christian dislike of ...
Сторінка 391
... sculpture , in adapting designs from Byzantine objects , copied their stylistic devices such as concentric folds of drapery over chest and knees . Sometimes the inspiration came from antique sculpture ; this was especially true in Italy ...
... sculpture , in adapting designs from Byzantine objects , copied their stylistic devices such as concentric folds of drapery over chest and knees . Sometimes the inspiration came from antique sculpture ; this was especially true in Italy ...
Сторінка 400
... sculpture gained in subtlety it lost in idealism and monumentality . The sculpture of vari- ous countries became more clearly differentiated . Two later Gothic sculptors in the north of Europe developed a style of great realistic power ...
... sculpture gained in subtlety it lost in idealism and monumentality . The sculpture of vari- ous countries became more clearly differentiated . Two later Gothic sculptors in the north of Europe developed a style of great realistic power ...
Зміст
The Classical Backgrounds of Mediaeval | 3 |
The Jewish and Early Christian Sources | 39 |
Byzantine Civilization | 95 |
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The Mind of the Middle Ages, A.D. 200-1500: An Historical Survey Frederick Binkerd Artz Перегляд фрагмента - 1953 |
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