Shakespeare and the Twentieth Century: The Selected Proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996University of Delaware Press, 1998 - 427 стор. This volume assembles a selection from the many papers delivered at the Sixth World Shakespeare Congress. Four plenary lectures are printed, including that of Jane Smiley on the creation of A Thousand Acres, her award-winning novel derived with King Lear. Twenty-two papers by well-known scholars also offer a wide range of responses to Shakespeare's art and international assessment of his presence in the world at the end of the twentieth century. |
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Сторінка 31
... person of spiritual substance . In a Daz - white environment , to see the quality of someone's mind before and above any physical attribute , must , I thought , be a sign of singularity . It is not easy to sail against the prevailing ...
... person of spiritual substance . In a Daz - white environment , to see the quality of someone's mind before and above any physical attribute , must , I thought , be a sign of singularity . It is not easy to sail against the prevailing ...
Сторінка 37
... person than the lonely voyage that he was having to take . Of course he was learning that to sustain a part of this size and complexity takes an unrelenting commitment and concen- tration . One day he said to me , " I can't just go into ...
... person than the lonely voyage that he was having to take . Of course he was learning that to sustain a part of this size and complexity takes an unrelenting commitment and concen- tration . One day he said to me , " I can't just go into ...
Сторінка 38
... person left before the end . And by the third preview , the nine o'clock show , they were on their feet , cheering the actors to the rafters at past midnight on a Saturday . The reviews were really good on the whole ; some 38 PART ONE ...
... person left before the end . And by the third preview , the nine o'clock show , they were on their feet , cheering the actors to the rafters at past midnight on a Saturday . The reviews were really good on the whole ; some 38 PART ONE ...
Сторінка 42
... person , from beginning to end , that you would want to stay away from — selfish , de- manding , humorless , self - pitying . Even when cast low by events , he seemed to hog the stage — his self - effacement 42 PART ONE : SHAKESPEARE IN ...
... person , from beginning to end , that you would want to stay away from — selfish , de- manding , humorless , self - pitying . Even when cast low by events , he seemed to hog the stage — his self - effacement 42 PART ONE : SHAKESPEARE IN ...
Сторінка 47
... person of wide - ranging interests and skillful at the illusion of expertise , lively and sober by turns , familiar with the full range of emo- tions , able to believably extrapolate from the quotidian life of a citizen to the epic life ...
... person of wide - ranging interests and skillful at the illusion of expertise , lively and sober by turns , familiar with the full range of emo- tions , able to believably extrapolate from the quotidian life of a citizen to the epic life ...
Зміст
23 | |
41 | |
60 | |
Notes on the Elizabethan AvantGarde | 75 |
The Shakespeare Festival A Mans Play and New Women | 85 |
Myriadminded Men | 103 |
Shakespeare Meets Film Noir | 113 |
Conflicting Theories in Collaborative Praxis | 125 |
Hypertext as Editorial Horizon | 248 |
Feeling Bodies | 258 |
Shakespeares Mythology in the Twentieth Century | 280 |
Shakespeares Dogs | 294 |
The Silent Speech of Shakespeares Sonnets | 314 |
Visions and Revisions | 336 |
Reading Hamlet in Japan | 350 |
Why Should We Call Her Whore? Bianca in Othello | 364 |
East European Uses of Shakespeares Great | 137 |
Sonneteering Lovers Rock and Blues | 148 |
Shakespeare and the Musical | 157 |
The Larrikin Element | 168 |
Performance Theory Postcolonial Discourse and the Filming of A Midsummer Nights Dream in Angela Carters Wise Children | 183 |
Shakespeare Branagh and the Movies | 194 |
Finding a Way Out | 215 |
The Saturation of the Shakespearean Text | 231 |
Rereading Shakespeares Timon of Athens at the fin de siecle | 378 |
Gender Class and Race in Japanese Translations of Shakespeare | 390 |
Complete List of Papers from the Program of the Congress | 403 |
Seminars Workshops Forums Other Sessions and Their Leaders | 407 |
Notes on Contributors | 410 |
Index | 415 |
Інші видання - Показати все
Shakespeare and the Twentieth Century: The Selected Proceedings of the ... Jonathan Bate,Jill Levenson,Dieter Mehl Попередній перегляд недоступний - 1998 |
Загальні терміни та фрази
actor Alcibiades April audience Benson Bianca Branagh Brecht called Cambridge University Press Cassio Centre Theatre Records characters Claudius comedy contemporary critical cultural Desdemona director Dora drama Dream early modern edition Elizabethan emotional English essay feeling Festival film noir foul papers gender Ghost Hamlet Henry human Iago Iago's John Joyce Juliet Kate King Lear language literary London Macbeth male means musical myth novel Othello Oxford performance perhaps Petruchio play's Plutarch poems poetry political printed production Renaissance Richard role Romeo and Juliet Royal Shakespeare Company scene Scheie's seems sense sexual Shake Shakespeare Centre Theatre Shrew silent social sonnets speak speare speare's speech stage Stephen story Stratford suffrage suggest T. S. Eliot textual theater theatrical theory thought Timon Timon of Athens tion Titus Titus Andronicus tradition tragedy Tsubouchi twentieth century voice Welles's William Shakespeare women words writing York
Популярні уривки
Сторінка 28 - I know our country disposition well ; In Venice they do let heaven see the pranks They dare not show their husbands ; their best Conscience Is — not to leave undone, but keep unknown, Oth.
Сторінка 28 - Ay, there's the point :' — as — to be bold with you — Not to affect many proposed matches Of her own clime, complexion, and degree, Whereto we see in all things nature tends, — Foh ! one may smell in such a will most rank, Foul disproportion, thoughts unnatural...
Сторінка 37 - He did, from first to last; why dost thou ask ? lago. But for a satisfaction of my thought ; No further harm. Othello. Why of thy thought, lago ? lago.
Сторінка 382 - Make the hoar leprosy ador'd; place thieves, And give them title, knee, and approbation, With senators on the bench...
Сторінка 153 - O, she doth teach the torches to burn bright ! It seems she hangs upon the cheek of night As a rich jewel in an Ethiop's ear...
Сторінка 36 - Never, lago. Like to the Pontic sea, Whose icy current and compulsive course Ne'er feels retiring ebb, but keeps due on To the Propontic and the Hellespont ; Even so my bloody thoughts, with violent pace, Shall ne'er look back, ne'er ebb to humble love. Till that a capable and wide revenge Swallow them up. — Now, by yond marble heaven, In the due reverence of a sacred vow {Kneels, I here engage my words.
Сторінка 103 - The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.
Сторінка 154 - If the true concord of well-tuned sounds, By unions married, do offend thine ear, They do but sweetly chide thee, who confounds In singleness the parts that thou shouldst bear. Mark how one string, sweet husband to another, Strikes each in each by mutual ordering, Resembling sire and child and happy mother, Who, all in one, one pleasing note do sing; Whose speechless song, being many, seeming one, Sings this to thee :
Посилання на книгу
Merely Players?: Actors' Accounts of Performing Shakespeare Jonathan Holmes Попередній перегляд недоступний - 2004 |