The Lives of the Most Eminent British Painters and Sculptors, Том 2Harper & brothers, 1859 |
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Сторінка 8
... hope that the boy would become some day very eminent . If he meant as an artist , how this was to come to pass must have seemed , however , not so clear : there were neither professors , paintings , nor prints among the primitives of ...
... hope that the boy would become some day very eminent . If he meant as an artist , how this was to come to pass must have seemed , however , not so clear : there were neither professors , paintings , nor prints among the primitives of ...
Сторінка 18
... hope , with a sadness which he wished neither to subdue nor conceal . With the spirit of his mother , the charm seemed to have de- parted from his father's house ; he seldom spoke of it afterward , and soon forsook it for Philadelphia ...
... hope , with a sadness which he wished neither to subdue nor conceal . With the spirit of his mother , the charm seemed to have de- parted from his father's house ; he seldom spoke of it afterward , and soon forsook it for Philadelphia ...
Сторінка 33
... hope , Mr. West , " said Kirby , " that you intend to exhibit this picture ? " " It is painted for the palace , " said West , " and its exhibition must depend upon his Majesty's pleasure . ' " Assuredly , " said the King , " I shall be ...
... hope , Mr. West , " said Kirby , " that you intend to exhibit this picture ? " " It is painted for the palace , " said West , " and its exhibition must depend upon his Majesty's pleasure . ' " Assuredly , " said the King , " I shall be ...
Сторінка 38
... hope , and every thing to fear . He was daring in his undertakings ; not so in his genius . During the progress of these works , he painted many pictures of lesser importance . The King , the Queen , the young Princes and Princesses sat ...
... hope , and every thing to fear . He was daring in his undertakings ; not so in his genius . During the progress of these works , he painted many pictures of lesser importance . The King , the Queen , the young Princes and Princesses sat ...
Сторінка 43
... hope to be from that honour , is not a legitimate object of ambition . To myself then your royal highness must perceive the title could add no dignity , and as it would perish with myself , it could add none to my family . But were I ...
... hope to be from that honour , is not a legitimate object of ambition . To myself then your royal highness must perceive the title could add no dignity , and as it would perish with myself , it could add none to my family . But were I ...
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The Lives of the Most Eminent British Painters and Sculptors, Том 2 Allan Cunningham Повний перегляд - 1831 |
The Lives of the Most Eminent British Painters and Sculptors, Том 2 Allan Cunningham Повний перегляд - 1859 |
The Lives of the Most Eminent British Painters and Sculptors, Том 2 Allan Cunningham Повний перегляд - 1846 |
Загальні терміни та фрази
admired Amelia Opie appeared artist Barry Barry's beauty Benjamin West Bird Blake brethren Burke called character colours companion compositions copy death Domenichino drawing easel eminent engravings excellence exclaimed exhibited eyes fame fancy father feeling Felpham finished formed fortune friends Fuseli gallery genius GEORGE MORLAND grace grave guineas hand happy Hassell Henry Fuseli historical honour imagination imbodied invention kind King labour lived London looked Lord Lord Grosvenor Majesty master merit Michael Angelo Milton mind Morland nation nature never Opie original painter painting pencil person picture Pindar poet poetic poetry portrait praise Prince Hoare productions Quaker racter Raphael Rembrandt Reynolds Rome Royal Academy says scene seemed Shakspeare Sir Joshua Sir Joshua Reynolds Sistine Chapel sketches skill spirit talents taste temper thing thought tion Titian tures visions West wife wild wish Wolcot young
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Сторінка 126 - What the hammer? What the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee...
Сторінка 125 - Whether in Heaven ye wander fair, Or the green corners of the earth, Or the blue regions of the air Where the melodious winds have birth...
Сторінка 131 - PIPING down the valleys wild, Piping songs of pleasant glee, On a cloud I saw a child, And he laughing said to me: 'Pipe a song about a Lamb!
Сторінка 126 - TIGER! Tiger! burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulder, and what art, Could twist the sinews of thy heart?
Сторінка 150 - So the Lord blessed the latter end of Job more than the beginning...
Сторінка 142 - This is an awful thing to say to oil painters ; they may call it madness, but it is true. All the genuine old little pictures, called cabinet pictures, are in fresco and not in oil.
Сторінка 141 - Colouring does not depend on where the Colours are put, but on where the lights and darks are put, and all depends on Form or Outline. On where that is put; where that is wrong, the Colouring never can be right; and it is always wrong in Titian and Correggio, Rubens and Rembrandt.
Сторінка 232 - Peter's, scattered into infinity of jarring parts by Bramante and his successors, he concentrated ; suspended the cupola, and to the most complex gave the air of the most simple of edifices.
Сторінка 144 - How do we distinguish the oak from the beech, the horse from the ox, but by the bounding outline? How do we distinguish one face or countenance from another, but by the bounding line and its infinite inflexions and movements?
Сторінка 143 - The characters of Chaucer's Pilgrims are the characters which compose all ages and nations: as one age falls, another rises, different to mortal sight, but to immortals only the same; for we see the same characters repeated again and again, in animals, vegetables, minerals, and in men; nothing new occurs in identical existence; Accident ever varies, Substance can never suffer change nor decay. Of Chaucer's characters, as described in his Canterbury Tales...