the portrait; as if her passionate wish and struggle to penetrate poor Beatrice's mystery had been successful.

"Oh! for Heaven's sake, Miriam, do not look so!" she cried. “What an actress you are! And I never guessed it before. Ah! now you are yourself again!" she added, kissing her. "Leave Beatrice to me in future."

"Cover up your magical picture, then," replied her friend, "else I never can look away from it. It is strange, dear Hilda, how an innocent, delicate, white soul like yours has been able to seize the subtle mystery of this portrait; as you surely must, in order to reproduce it so perfectly. Well; we will not talk of it any more. Do you know, I have come to you this morning on a small matter of business. Will you undertake it for me?"

"Oh, certainly," said Hilda, laughing; "if you choose to trust me with business."

"Nay, it is not a matter of any difficulty," answered Miriam; "merely to take charge of this pacquet, and keep it for me awhile."

"But why not keep it yourself?" asked Hilda.

"Partly because it will be safer in your charge," said her friend. "I am a careless sort of person in ordinary things; while you, for all you dwell so high above the world, have certain good little housewifely ways of accuracy and order. The pacquet is of some slight importance; and yet, it may be, I shall not ask you for it again. In a week or two, you know I am leaving Rome. You, setting at defiance the malaria fever, mean to stay here and haunt your beloved galleries through the summer. Now, four months hence, unless you hear more from me, I would have you deliver the pacquet according to its address."

Hilda read the direction: it was to Signore Luca Barboni, at the Palazzo Cenci, third piano.

"I will deliver it with my own hand," said she, "precisely four months from to-day, unless you bid me to the contrary. Perhaps I shall meet the ghost of Beatrice in that grim old palace of her forefathers."

"In that case," rejoined Miriam, "do not fail to speak to her, and try to win her confidence. Poor thing! she would be all the better for pouring her heart out freely, and would be glad to do it, if she were sure of sympathy. It irks my brain and heart to think of her, all shut up within herself." She withdrew the cloth that Hilda had drawn over the picture, and took another long look at it-"Poor sister Beatrice! for she was still a woman, Hilda, still a sister, be her sin or sorrow what they might. How well you have done it, Hilda! I know not whether Guido will thank you, or be jealous of your rivalship."

แ Jealous, indeed!" exclaimed Hilda. "If Guido had not wrought through me, my pains would have been thrown away."

Well; good airing to the You will think

"After all," resumed Miriam, "if a woman had painted the original picture, there might have been something in it which we miss now. I have a great mind to undertake a copy myself, and try to give it what it lacks. bye. But, stay! I am going for a little grounds of the Villa Borghese this afternoon. it very foolish, but I always feel the safer in your company, Hilda, slender little maiden as you are. Will you come?" "Ah, not to-day, dearest Miriam," she replied; "I have set my heart on giving another touch or two to this picture, and shall not stir abroad till nearly sunset."

"Farewell, then," said her visitor. "I leave you in your dovecote. What a sweet, strange life you lead here; conversing with the souls of the old masters, feeding and fondling your sister-doves, and trimming the Virgin's lamp! Hilda, do you ever pray to the Virgin while you tend her shrine?"

"Sometimes I have been moved to do so," replied the Dove, blushing and lowering her eyes; "she was a woman once. Do you think it would be wrong?"

"Nay, that is for you to judge," said Miriam; "but when you pray next, dear friend, remember me !"

She went down the long descent of the lower staircase, and just as she reached the street the flock of doves again

took their hurried flight from the pavement to the topmost window. She threw her eyes upward and beheld them hovering about Hilda's head; for after her friend's departure the girl had been more impressed than before by something very sad and troubled in her manner. She was, therefore, leaning forth from her airy abode, and flinging down a kind, maidenly kiss, and a gesture of farewell, in the hope that these might alight upon Miriam's heart and comfort its unknown sorrow a little. Kenyon the sculptor, who chanced to be passing the head of the street, took note of that ethereal kiss, and wished that he could have caught it in the air and got Hilda's leave to keep it.

DONATELLO, while it was still a doubtful question betwixt afternoon and morning, set forth to keep the appointment which Miriam had carelessly tendered him in the grounds. of the Villa Borghese.

The entrance to these grounds (as all my readers know, for everybody now-a-days has been in Rome) is just outside of the Porta del Popolo. Passing beneath that not very impressive specimen of Michael Angelo's architecture, a minute's walk will transport the visitor from the small, uneasy lava stones of the Roman pavement into broad, gravelled carriagedrives, whence a little farther stroll brings him to the soft turf of a beautiful seclusion. A seclusion, but seldom a solitude; for priest, noble and populace, stranger and native, all who breathe Roman air, find free admission, and come hither to taste the languid enjoyment of the day-dream that they call life.

But Donatello's enjoyment was of a livelier kind. He soon began to draw long and delightful breaths among those

shadowy walks. Judging by the pleasure which the sylvan character of the scene excited in him, it might be no merely fanciful theory to set him down as the kinsman, not far remote, of that wild, sweet, playful, rustic creature, to whose marble image he bore so striking a resemblance. How mirthful a discovery would it be (and yet with a touch of pathos in it), if the breeze which sported fondly with his clustering locks, were to waft them suddenly aside, and show a pair of leaf-shaped, furry ears! What an honest strain of wildness would it indicate! and into what regions of rich mystery would it extend Donatello's sympathies, to be thus linked (and by no monstrous chain) with what we call the inferior tribes of beings, whose simplicity, mingled with his human intelligence, might partly restore what man has lost of the

divine !

The scenery amid which the youth now strayed was' such as arrays itself in the imagination when we read the beautiful old myths, and fancy a brighter sky, a softer turf, a more picturesque arrangement of venerable trees, than we find in the rude and untrained landscapes of the Western world. The ilex-trees, so ancient and time-honoured were they, seemed to have lived for ages undisturbed, and to feel no dread of profanation by the axe any more than overthrow by the thunder-stroke. It had already passed out of their dreamy old memories that only a few years ago they were grievously imperilled by the Gaul's last assault upon the walls of Rome. As if confident in the long peace of their lifetime, they assumed attitudes of indolent repose. They leaned over the green turf in ponderous grace, throwing abroad their great branches without danger of interfering with other trees, though other majestic trees grew near enough for dignified society, but too distant for constraint. Never was there a more venerable quietude than that which slept among their sheltering boughs; never a sweeter sunshine than that now gladdening the gentle gloom which these leafy patriarchs strove to diffuse over the swelling and subsiding lawns.

In other portions of the grounds the stone-pines lifted their

dense clump of branches upon a slender length of stem, so high that they looked like green islands in the air, flinging down a shadow upon the turf so far off that you hardly knew which tree had made it. Again, there were avenues of cypress, resembling dark flames of huge funeral candles, which spread dusk and twilight round about them instead of cheerful radiance. The more open spots were all a-bloom, even so early in the season, with anemones of wondrous size, both white and rose-coloured, and violets that betrayed themselves by their rich fragrance, even if their blue eyes failed to meet your own. Daisies, too, were abundant, but larger than the modest little English flower, and therefore of small

account.

These wooded and flowery lawns are more beautiful than the finest of English park-scenery, more touching, more impressive, through the neglect that leaves nature so much to her own ways and methods. Since man seldom interferes with her, she sets to work in her quiet way and makes herself at home. There is enough of human care, it is true, bestowed long ago and still bestowed, to prevent wildness from growing into deformity; and the result is an ideal landscape, a woodland scene that seems to have been projected out of the poet's mind. If the ancient Faun were other than a mere creation of old poetry, and could have reappeared anywhere, it must have been in such a scene as this.

In the openings of the wood there are fountains plashing into marble basins, the depths of which are shaggy with water-weeds; or they tumble like natural cascades from rock to rock, sending their murmur afar, to make the quiet and silence more appreciable. Scatttered here and there with careless artifice, stand old altars bearing Roman inscriptions. Statues, gray with the long corrosion of even that soft atmosphere, half hide and half reveal themselves, high on pedestals, or perhaps fallen and broken on the turf. Terminal figures, columns of marble or granite porticoes, arches, are seen in the vistas of the wood-paths, either veritable relics of antiquity, or with so exquisite a touch of artful ruin on them that they