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Madness, considerations on, 387-8

MAIA, FRAGMENT OF AN ODE TO (1818), 371

Margate, stay at, xxix

Marian (Maid), 283

Materials used for this edition, xi-xiii

MATHEW (GEORGE FELTON), EPISTLE TO, November 1815, 33-6

Maud (Queen), character in KING STEPHEN, 508

May Day, Fragment of an Ode written on (1818), 371

MEG MERRILIES, poem of 1818, 379-80

Melancholy, invocation to, in ISABELLA, 246-7

Veiled in the temple of Delight, 286

See ODE

Melody, Sweetness of unheard, 272

Mercury, magic feat of, 179-80
Merlin's debt to the Demon, 259

Mermaid Tavern, See LINES

Midnight, "a budding morrow" in, 354

Milton, blindness of, 35; allusions to, xxii, 49

LINES ON SEEING A LOCK OF MILTON'S HAIR (1818), 360-1

Miniature of Keats by Severn, frontispiece

Ministry of 1818 referred to in Book III of ENDYMION, 158

Minnows, description of, 7

Mnemosyne, a fallen Titaness in HYPERION, 300; meets Apollo, 312
Moneta (or Mnemosyne), goddess of a titanic temple, 321-2, 324
Moon, address to the, 139-40

Endymion addresses the, 142-4

Keats preoccupied long with mythology and poetry of the,
xx-xxi

Moore (Thomas), THE WREATH AND THE CHAIN by, 22

Mozart, 43

Muse of England, address to, 169-70

Music, varieties of, 43-4

Delicately described, 118-19

Naiad, Endymion is addressed by a, 111-12

Nais, 165

Nature, great unerring, once wrong, 416

Neptune, the palace of, 163

Hymn to, 166-8

Described by Oceanus in HYPERION, 306

Nereids (the), 165
Newton Abbot, the Marsh at, 365
Nightingale, immortality of the, 271

See ODE TO A NIGHTINGALE

NILE, SONNET TO THE (1818), 362
Niobe, 89

"Nonsense Verses," 364, 366, 371, 381, 388, 391, 406, 413, 551-61

"O Solitude! if I must with thee dwell," Sonnet (1816), 51

Oberon, 22

Oceanus, 168

A fallen Titan in HYPERION, 302

Sophist and sage, 304

ODE ("Bards of Passion and of Mirth "), 279-80

Written on the blank page before Beaumont and Fletcher's
Tragi-Comedy THE FAIR MAID OF THE INN, 279
ODE ON A GRECIAN URN (1819), 272-3; referred to, xix, xxxi
ODE ON INDOLENCE (1819), 403-5; referred to, xix, xxvi

ODE ON MELANCHOLY, 285-6

ODE TO A NIGHTINGALE (1819), 269-71; referred to, xix, xxx
ODE TO APOLLO (1815), 335-7

ODE TO FANNY (1819?), 400-2

ODE TO MAIA, FRAGMENT OF AN (1 May 1818), 371

ODE TO PSYCHE (1819), 274-6; referred to, xxvi, xxx

ON FIRST LOOKING INTO CHAPMAN'S HOMER, Sonnet (1816), 54
ON THE GRASSHOPPER AND CRICKET, Sonnet (1816), 56-7
ON LEAVING SOME FRIENDS AT AN EARLY HOUR, Sonnet, 54-5
ON RECEIVING A CURIOUS SHELL AND A COPY OF VERSES, 21-3
OPERA, EXTRACTS FROM AN, 373-5

Ops, the fallen Queen of the Titans in HYPERION, 302, 303, 311
Oriental strain in Keats, xxvi

Orion hungry for the morn, 114

Orpheus, 141

OTHO THE GREAT: A TRAGEDY, IN FIVE ACTS (1819), 423-505
Referred to, xi, xxx, xxxi ; dramatis personæ, 422

Otho, Emperor of Germany, character in OTHO THE GREAT, 422
Crushes a rebellion headed by his son Ludolph, 425

His reconciliation with his son, 448

His grief for his son's madness, 493

Oxford, "nonsense verses" on, 551

Pacific Ocean, discovery of the, 54

Palgrave (Francis Turner), compares Keats with Chatterton, xxii
Pan, pastoral superstition connected with, 81

Festival of, 82 et seq.

Address of the priest of, 85

Hymn to, 86-8

PARTY (A) OF LOVERS, verses of 1819, 413-14

Passion, destroyed by thought, 220

Pastorella, 109

Paulo and Francesca, See DREAM (A)

Peona, her care for Endymion, 91-2; her lute-playing, 93
Meets Endymion returning from magic wanderings, 193
Witnesses disappearance of Endymion with Diana, 199
Petrarch and Laura, 72-3

PHARONNIDA, by William Chamberlayne, reminiscence of, 161
Compared with ENDYMION, xxi

Philosophy, Keats's strictures on, 226

Phoebe, a fallen Titaness in HYPERION, 300

Phorcus, a fallen Titan in HYPERION, 302, 311

PICTURE OF LEANDER, SONNET ON A, 345-6

"Pight" for "pitched," 140

Pigmio, sovereign of Imaus in THE CAP AND BELLS, 522
Pleasure never at home, 276, 279

Pluto, 141

Poem, Keats's first published, 51; referred to, xxix

POEMS (1817), Keats's first book, 1-73; referred to, xxix
Dedication to Leigh Hunt, 3

Poesy, address to, 62; vision of the progress of, 65
"A drainless shower of light," 68

One of the Shadows in the ODE ON INDOLENCE, 404
Poetry, obstacles to the composition of, 34, 36

Its revival in England, 68-9

Poets, the double life of, 279, 280

Poets and fanatics, 315

Pomona, 121

Porphyrion, an imprisoned Titan in HYPERION, 300
Porphyro, Madeline's lover in THE EVE OF ST. Agnes, 255
Steals into Madeline's home amidst his foes, 256
Is secreted by the nurse in Madeline's chamber, 259
Grows faint at the sight of Madeline praying, 261
Carries Madeline off by stealth, 266

Portrait of Keats by Severn, frontispiece

66 Posterity's award" to the poet, 38

Posthumous and fugitive poems, 333-548

POT OF BASIL (THE), See ISABELLA

Potiphar, Fame described as sister-in-law to, 412

Principles of revision, xi

PROPHECY (A): TO GEORGE KEATS IN AMERICA, 1818, 394-5
Psyche, See ODE TO PSYCHE

Quarterly Review (The), attack in, xxx

Quietude, the Cave of, 185-6

Rainbow (the), Philosophy accused of destroying the poetry of, 226
Reynolds (Mrs. Charlotte), Sonnet to her Cat, 552

Reynolds (John Hamilton), Lines from a letter to, 362-3

Sonnet in answer to one on dark eyes by, 363

Sonnet to ("O that a week could be an age "), 1818, 354

Epistle to (poem of 1818), 367-70

Rice (James), Keats visits Isle of Wight with, xxx

Rinaldo, 21

ROBIN HOOD, poem of 1818, 281-3

Ronsard (Pierre), translation from Sonnet of (1818), 396

Rossetti (Dante Gabriel), his remarks on a rejected passage from
ENDYMION, Xiv

St. Agnes, See EVE OF ST. AGnes (The)

St. John in Patmos, 392

St. Mark, See EVE OF ST. MARK (THE)

Salamander (Fire), in SONG OF FOUR FAERIES, 408

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Saturn dethroned, in HYPERION, 289, 302, 303, 310, 311, 323, 324

A huge image of, 318, 321

Savage (the) "guesses at heaven,” 315

Scotland, visit to, xxx; poems connected with, 379-93, 552-6
Scylla, beloved of Glaucus in ENDYMION, 150

Her death, 156; her revival, 161

SEA, SONNET ON THE (1817), 348

Selfishness, Love's cousin, 240

Sermon's (the) "horrid sound," 342

Severn (Joseph), portrait of Keats by, frontispiece
Keats's introduction to, xxix

Shakespeare, Chatterton intreated heaven-ward by, 35
Referred to, xxii, 336

SHARING EVE'S APPLE, poem of 1818, 376

Shelley (Percy Bysshe), xxvii

Shipwreck witnessed by Glaucus in ENDYMION, 158

SICKNESS, SONNET TO GEORGE Keats WRITTEN IN, 417-18

Sigifred, character in OTHO THE GREAT, 422

Simplicity, the power of, 344

Sleep, addresses to, 61, 92

Sleep, apparition of in ENDYMION, 180

SLEEP, SONNET TO (1819), 413

SLEEP AND POETRY, 61-73

Soho, the "dack'd hair'd critics" of, 366

SONG ("Hush, hush! tread softly !"), 1818, 372

("The stranger lighted from his steed"), 375

("I had a dove and the sweet dove died"), 1818, 377
("Stay, ruby-breasted warbler, stay,”) rejected as George
Keats's, xvi-vii

SONG, DAISY'S, 373

SONG, FOLLY'S, 374

SONG (A) ABOUT MYSELF (1818), 381-4

SONG OF FOUR FAERIES (1819), 408-11

SONG WRITTEN ON A BLANK PAGE BETWEEN BEAUMONT AND
FLETCHER'S CUPID'S REVENGE and THE TWO NOBLE
KINSMEN ("Spirit here that reignest !"), 357-8

SONNETS published by Keats, and posthumous Sonnets-
1. TO LEIGH HUNT [Dedication of POEMS (1817)], 3
2. “Woman! when I behold thee flippant, vain,” 29
3. "Light feet, dark violet eyes, and parted hair ;” 29
4. "Ah! who can e'er forget so fair a being?" 30

5. TO MY BROTHER GEORGE, 47

6. To ****** ("Had I a man's fair form,"), 48

7. WRITTEN ON THE DAY THAT MR. LEIGH HUNT LEFT

PRISON, 48-9

8. "How many bards gild the lapses of time!" 49

9. TO A FRIEND WHO SENT ME SOME ROSES, 50

10. To G. A. W. (" Nymph of the downward smile"), 50-1

11. "O Solitude! if I must with thee dwell,” 51

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